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XFM 92.3 Philippines michael manson bring it on


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XFM 92.3 Philippines michael manson bring it on

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XFM 92.3 Philippines www.myspace.com/justfeelinit. http://www.mikemanson.com/ michael manson bring it on Michael Manson -- Just Feelin' It Chicago Bass Player Releases 2nd CD September 12, 2006 With the release of his previous CD, The Bottom Line, Michael Manson joined the ranks of today's premiere jazz artists. His first single "Outer Drive" reached the top 10 on the R&R Smooth Jazz. Bass-master Michael Manson moved from sideman to center-stage on his solo debut The Bottom Line. His passion and precision are displayed with both unrelenting power and laid-back grace on the album that, he says, "reflects the deepest expression of all I have felt making music for the last twenty years." On Michael Manson's new CD Just Feelin' It, he is credited for writing and production. For this album Michael has collected the who's who of Smooth Jazz: Rick Braun, Kirk Whalum, Jeff Lorber, Brian Culbertson, Nelson Range, Norman Brown, Paul Jackson Jr., the legendary George Duke and many more great jazz musicians. This album is a great mix of contemporary jazz, R&B and even a little gospel. For Michael Manson the bottom line has always been great music. Since he first picked up a guitar (not a bass), he has moved persistently from strength to strength, one association leading inevitably to another in a career that has brought him front and center with the most esteemed names in jazz, gospel, R&B, rock and pop. Manson's uniquely lyrical voice has its roots in Chicago, Illinois. He recalls, "My grandmother and mother played piano, but no one else in the family was really involved in music. My dad had an old beat-up folk guitar that he never picked up and so my older brother and I got interested in music about the same time-I was fourteen-and started playing it. After that, we bugged my mom to buy us some instruments. She finally bought my brother a guitar and me a $25.00 bass and a $25.00 amp that we shared". Returning to Chicago State University, he joined the Chicago State Gospel Choir and, in Manson's words, "things started snowballing." One gig or association would lead to another, with Manson playing with one Gospel great after another: Tramaine Hawkins, Vanessa Bell Armstrong, Jessy Dixon and James Cleveland. He even played on the Winan's album All Out, only the first of many times he would perform with childhood musical heroes. After his graduation from Chicago State University with a Bachelor of Arts in Music, he went on to complete a Masters in Music Performance at Northwestern University. In 1995 Manson met Steve Finkle (now Steve Cole) who was playing with Brian Culbertson. Soon Manson was playing the Chicago club circuit and touring in support of Culbertson's City Lights. Manson went on to record selections on Brian's After Hours in '97. That same year, one of his gospel connections put him together with Kirk Whalum, and he ended up playing on the Dove and Stellar-Award nominated "The Gospel According To Jazz." Recorded live at the Roy Acuff theatre, it featured Whalum, George Duke and Paul Jackson Jr. "That's how I met George Duke in '97," quips Manson. Manson's association with George Duke ultimately led to the gig of a lifetime. George, who was the musical director and a featured artist on the Montreux Jazz tour (summer of 2000), invited Manson onboard, where he shared the stage with his greatest childhood hero, Al Jarreau, along with David Sanborn, Roberta Flack and Joe Sample. Pal Kirk Whalum said with typical good humor, "After that tour you could have retired." But Manson is just getting started. Through Kirk, he met Larry Carlton and toured with him before and after his chart-topping Fingerprints album. Kirk also included him on his "Hymns In The Garden" album that garnered a nomination for Best Pop Instrumental Album at this years Grammys. Manson has shared the stage with Warner Bros. Records artists Larry Carlton, Kirk Whalum, Boney James, Rick Braun, Kenny Garret, George Duke and Kevin Mahogany. Other Warner artists featured on the album included Fourplay (with bassist Nathan East), Bob James and Gabriel Anders. Released in October of 2000 to critical acclaim, it is being followed by a DVD release in 2001. Manson as an artist was honored @ the 2003 Smooth Jazz Awards , nonminated in two categories , Best New Artist and Bassist of the Year. For Michael Manson, love of musical communication, exploration, collaboration and celebration is clearly what it's all about. This sophomore release reflects Manson's unabating passion with joy and inspired artistry, "There are musical conversations that are intriguing and I hope the audience shares in that. But it is just great for musicians to communicate in thai way. That's the joy of music. To make great music like that every night, that's what it's all about."

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dbclive

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Michael Manson in LA - Video #1
Michael Manson playing selections from his hot 2006 album - Just Feelin' It
XFM 92.3 Philippines Michael Manson Coming right at ya
XFM 92.3 Philippines Michael Manson Coming right at ya www.myspace.com/justfeelinit. http://www.mikemanson.com/ michael manson bring it on Michael Manson -- Just Feelin' It Chicago Bass Player Releases 2nd CD September 12, 2006 With the release of his previous CD, The Bottom Line, Michael Manson joined the ranks of today's premiere jazz artists. His first single "Outer Drive" reached the top 10 on the R&R Smooth Jazz. Bass-master Michael Manson moved from sideman to center-stage on his solo debut The Bottom Line. His passion and precision are displayed with both unrelenting power and laid-back grace on the album that, he says, "reflects the deepest expression of all I have felt making music for the last twenty years." On Michael Manson's new CD Just Feelin' It, he is credited for writing and production. For this album Michael has collected the who's who of Smooth Jazz: Rick Braun, Kirk Whalum, Jeff Lorber, Brian Culbertson, Nelson Range, Norman Brown, Paul Jackson Jr., the legendary George Duke and many more great jazz musicians. This album is a great mix of contemporary jazz, R&B and even a little gospel. For Michael Manson the bottom line has always been great music. Since he first picked up a guitar (not a bass), he has moved persistently from strength to strength, one association leading inevitably to another in a career that has brought him front and center with the most esteemed names in jazz, gospel, R&B, rock and pop. Manson's uniquely lyrical voice has its roots in Chicago, Illinois. He recalls, "My grandmother and mother played piano, but no one else in the family was really involved in music. My dad had an old beat-up folk guitar that he never picked up and so my older brother and I got interested in music about the same time-I was fourteen-and started playing it. After that, we bugged my mom to buy us some instruments. She finally bought my brother a guitar and me a $25.00 bass and a $25.00 amp that we shared". Returning to Chicago State University, he joined the Chicago State Gospel Choir and, in Manson's words, "things started snowballing." One gig or association would lead to another, with Manson playing with one Gospel great after another: Tramaine Hawkins, Vanessa Bell Armstrong, Jessy Dixon and James Cleveland. He even played on the Winan's album All Out, only the first of many times he would perform with childhood musical heroes. After his graduation from Chicago State University with a Bachelor of Arts in Music, he went on to complete a Masters in Music Performance at Northwestern University. In 1995 Manson met Steve Finkle (now Steve Cole) who was playing with Brian Culbertson. Soon Manson was playing the Chicago club circuit and touring in support of Culbertson's City Lights. Manson went on to record selections on Brian's After Hours in '97. That same year, one of his gospel connections put him together with Kirk Whalum, and he ended up playing on the Dove and Stellar-Award nominated "The Gospel According To Jazz." Recorded live at the Roy Acuff theatre, it featured Whalum, George Duke and Paul Jackson Jr. "That's how I met George Duke in '97," quips Manson. Manson's association with George Duke ultimately led to the gig of a lifetime. George, who was the musical director and a featured artist on the Montreux Jazz tour (summer of 2000), invited Manson onboard, where he shared the stage with his greatest childhood hero, Al Jarreau, along with David Sanborn, Roberta Flack and Joe Sample. Pal Kirk Whalum said with typical good humor, "After that tour you could have retired." But Manson is just getting started. Through Kirk, he met Larry Carlton and toured with him before and after his chart-topping Fingerprints album. Kirk also included him on his "Hymns In The Garden" album that garnered a nomination for Best Pop Instrumental Album at this years Grammys. Manson has shared the stage with Warner Bros. Records artists Larry Carlton, Kirk Whalum, Boney James, Rick Braun, Kenny Garret, George Duke and Kevin Mahogany. Other Warner artists featured on the album included Fourplay (with bassist Nathan East), Bob James and Gabriel Anders. Released in October of 2000 to critical acclaim, it is being followed by a DVD release in 2001. Manson as an artist was honored @ the 2003 Smooth Jazz Awards , nonminated in two categories , Best New Artist and Bassist of the Year. For Michael Manson, love of musical communication, exploration, collaboration and celebration is clearly what it's all about. This sophomore release reflects Manson's unabating passion with joy and inspired artistry, "There are musical conversations that are intriguing and I hope the audience shares in that. But it is just great for musicians to communicate in thai way. That's the joy of music. To make great music like that every night, that's what it's all about."
Spaghettini-Michael Manson Part 1
Chicago bassist rocks the house at Spaghettini Grill & Jazz Club
Brian Culbertson Bringing Back The Funk
Brian Culbertson XFM 92.3 PHILIPPINES www.philippines-uk.com dbclive In the 14 years since the Illinois-born and bred composer, producer, and keyboard whiz released his debut Long Night Out at the age of 21, he's evolved from a shy kid writing cheerful pop songs in a bedroom studio to one of contemporary jazz's most electrifying A-list performers. His fan base is large enough that he would have made a killing even had chosen to simply follow the easy grooving candlelit approach of his last non-holiday CD It's on Tonight with something similarly low-key and seductive. Fortunately for everyone who had been complaining that smooth jazz artists had been getting way too predictable in the latter 2000s, he had the pull and the wherewithal to make his dreams come true and seriously bring back the groove with just about every heavy hitting funkateer from the '70s. The cover shot of "little Culby" sitting and listening on headphones says it all -- he was a tyke when his guest list was defining all that was cool and happening. The luminaries included one-time James Brown bassist Bootsy Collins and Phelps "Catfish" Collins plus members of the Rubber Band and the Horny Horns (all out of P-Funk); Larry Graham (the slap bass great of Sly & the Family Stone and his own Graham Central Station -- no laid-back "One in a Million You" happening here!); Larry Dunn and Sheldon Reynolds (Earth, Wind & Fire); Greg Adams (Tower of Power), Tony Maiden and Bobby Watson (Rufus), Michael Bland, Cora Dunham, and Rhonda Smith (from Prince's bands), solo stars Ray Parker, Jr., David T. Walker, Ronnie Laws, Gerald Albright, Tom Scott, Paul Jackson, Jr., Perri, etc. Modern neo-soul was well represented as well, with Ledisi swaying dreamily through horn accents and multiple keyboard flavors on Bill Withers' lightly obscure gem "The World Keeps Going Around" and Musiq (Soulchild) slammin' it with urban sax god Gerald Albright, a sea of crunching horns and Culbertson's bright chordings on "Hollywood Swinging." Culbertson's choice of covers, which includes Candy Dulfer and Prince vocalist Chance Howard's urgent command from TOP that "You Got to Funkifize" (featuring Adams on trumpet), is inspired, but he also co-wrote a batch of gems that stand proudly alongside the classics. Reynolds and Collins are among the co-writers of the bright, brass splashed "Funkin' Like My Father" that comes across like an invitation to the party with a series of vocalists connecting past to present. The EWF-inspired Culbertson-Reynolds co-write "Always Remember" shows that no matter how crazy he gets with the production, Culbertson is still a joyfully melodic jazz keyboardist at heart. Other original highlights include the simmering gospel-blues number "The House of Music" (Graham and Laws are the billed stars, but Ricky Peterson's Hammond B-3 carries the soul), and the buoyant piano and horn section dance dubbed "The Groove" Parker (who cut his teeth on R&B sessions a decade before "Ghostbusters") chimes in on the percussive, two-minute interlude throw down "Excuse Me...What's Your Name?" which features Culbertson on the trombone, trumpet and Mini-Moog. An even more powerful party all night affair than Dulfer's magnificent Candy Store was the previous year, Bringing Back the Funk is Culbertson's masterwork that took contemporary urban jazz to a whole new level in 2008. ~ Jonathan Widran, All Music Guide
Michael Manson in LA - Video #2
Michael brings Chicago grooves to the LA crowd with selections from his 2006 album - Just Feelin' It.
Michael Manson in LA - Video #3
More clips from the 2006 album, Just Feelin' It
mike manson thunder strings
damm is good at this bass
Whalum & Wagner
Dante and his new sax playing to Kirk Whalum's "Gospel According to Jazz Chapter II
Always there(Casino Lights Live)
Rick Braun : Trumpet Kenny Garrett : Alto Sax. Boney James : Tenor Sax. Kirk Whalum : Tenor Sax. Larry Carlton : Guitar George Duke : Keyboards Billy Kilson : Drums Mike Manson : Bass 1999 Montreux Jazz Fetival from 'Casino Lights' DVD
Donnie McClurkin w/Kirk Whalum
Donnie McClurkin/Kirk Whalum--Have Yourself A Merry Little Christmas