 | Sumerian Tablet Translations: Enki and the World Order 1/5 Translated by: Benito 1969, p. 77-160: translation, composite text, commentary Bottéro and Kramer 1989, p. 165-187: translation, commentary Kramer and Maier 1989, p. 38-56: translation, commentary Römer 1993a, p. 402-420: translation, commentary (ll. 248-273, 308-447) Wilcke 1976a, p. 9-10: handcopy (collations) Cuneiform sources: AO 6020 (TCL 15 36; RA 71 170; photo Naissance de l'Écriture 237) CBS 2194, CBS 2226 (HAV 7), CBS 4562 (PBS 10/2 1) + CBS 6888 (SEM 78) + CBS 6901 (SEM 80) + HS 1475 (TMH NF 3 1) + HS 1476 (ibid.) + HS 1502 (ibid., photo WZJ 9 pl. 7ff.) + HS 1554 (TMH NF 4 1; all HS coll. ASAW 65/4 11f.) CBS 4613 (PBS 12 48), CBS 8529 (SEM 79, photo WZJ 9 pl. 17f.), CBS 13918 (SEM 115), HS 2503 (ASAW 65/4 12), N 3562, N 5053, N 6288, Ni 2517 (SRT 44) Ni 4006 (SLTN 33), Ni 4083 (ISET 1 70), Ni 4206 (TAD 8/2 pl. 7), Ni 4540 (ISET 1 105), Ni 4554 (ISET 2 4; WZJ 9 pl. 6), Ni 9569 (ISET 1 147), Ni 9713 (ISET 1 121), Ni 9805 (ISET 2 4; WZJ 9 pl. 6), Ni 9855 (ISET 2 60), Ni 9916 (ISET 1 143) UM 29-15-38 (photo WZJ 9 pl. 14f.), UM 29-16-412, UM 29-16-413 (photo WZJ 9 pl. 12f.), UM 29-16-418, 3N-T726 = IM 58655, 3N-T923,499 (SLFN pl. 1), 3N-T927,528 (SLFN pl. 1) Enki (Sumerian: EN.KI(G)), later known as Ea in Babylonian mythology, originally chief god of the city of Eridu. He was the deity of crafts (= gašam), water (=a, ab ), intelligence (= gestú (literally = "ear")) and creation (Nudimmud, from dim mud, "to engender", "to shape"). The exact meaning of his name is uncertain: the common translation is "Lord of the Earth": the Sumerian 'En' is translated as a title equivalent to "lord"; it was originally a title given to the High Priest; Ki means "earth"; but there are theories that Ki in this name has another origin, possibly Kig of unknown meaning, or Kur meaning "mound". The name Ea is allegedly Hurrian in origin while others claim that it is possibly of Semitic origin and may be a derivation from the West-Semitic root *hyy meaning "life" in this case used for "spring", "running water." In Sumerian E-A means "the house of water", and it has been suggested that this was originally the name for the shrine to the God at Eridu. Attributes: The main temple of Enki was called é-engur-a, the "house of the lord of deep waters"; e-unir or é-abzu, the "house of Abzu" (the house of far waters), the underground area of sweet waters (most probably the Sumerians' explanation of groundwater) marshlands that surrounded the mound on which the temple to Enki at Eridu was built. It was in Eridu, which was then in the wetlands of the Euphrates valley not far from the Persian Gulf. He was the keeper of the holy powers called Me, the gifts of civilized living. His image of the double-helix snake is reminiscent of the DNA helix. Enki is also the master shaper of the world, god of wisdom and of all magic. He is the lord of the Abzu (Apsu in Akkadian, hence perhaps the Greek abussos and English word "abyss"), the freshwater ocean of groundwater under the earth. In the later Babylonian "Enuma Eliš" Abzu, the "begetter of the gods", is inert and sleepy but finds his peace disturbed by the younger gods so sets out to destroy them. His grandson Enki, chosen to represent the younger gods puts a spell on Abzu "casting him into a deep sleep" confining him deep underground. Enki subsequently sets up his home "in the depths of the Abzu." Enki thus takes on all of the functions of the Abzu including his fertilising powers as lord of the waters and lord of semen. He is most often depicted: stepping out of the ocean; wearing a fish-suit of some kind; with fish or snakes around him; with streams of water flowing off of his shoulders, which is where the use of lines and waves to denote middle-ranks in the military probably originated. Peace |
 | Sumerian tablet Translations: Enki and the World Order 2/5 Translated by: Benito 1969, p. 77-160: translation, composite text, commentary Bottéro and Kramer 1989, p. 165-187: translation, commentary Kramer and Maier 1989, p. 38-56: translation, commentary Römer 1993a, p. 402-420: translation, commentary (ll. 248-273, 308-447) Wilcke 1976a, p. 9-10: handcopy (collations) Cuneiform sources: AO 6020 (TCL 15 36; RA 71 170; photo Naissance de l'Écriture 237) CBS 2194, CBS 2226 (HAV 7), CBS 4562 (PBS 10/2 1) + CBS 6888 (SEM 78) + CBS 6901 (SEM 80) + HS 1475 (TMH NF 3 1) + HS 1476 (ibid.) + HS 1502 (ibid., photo WZJ 9 pl. 7ff.) + HS 1554 (TMH NF 4 1; all HS coll. ASAW 65/4 11f.) CBS 4613 (PBS 12 48), CBS 8529 (SEM 79, photo WZJ 9 pl. 17f.), CBS 13918 (SEM 115), HS 2503 (ASAW 65/4 12), N 3562, N 5053, N 6288, Ni 2517 (SRT 44) Ni 4006 (SLTN 33), Ni 4083 (ISET 1 70), Ni 4206 (TAD 8/2 pl. 7), Ni 4540 (ISET 1 105), Ni 4554 (ISET 2 4; WZJ 9 pl. 6), Ni 9569 (ISET 1 147), Ni 9713 (ISET 1 121), Ni 9805 (ISET 2 4; WZJ 9 pl. 6), Ni 9855 (ISET 2 60), Ni 9916 (ISET 1 143) UM 29-15-38 (photo WZJ 9 pl. 14f.), UM 29-16-412, UM 29-16-413 (photo WZJ 9 pl. 12f.), UM 29-16-418, 3N-T726 = IM 58655, 3N-T923,499 (SLFN pl. 1), 3N-T927,528 (SLFN pl. 1) Enki (Sumerian: EN.KI(G)), later known as Ea in Babylonian mythology, originally chief god of the city of Eridu. He was the deity of crafts (= gašam), water (=a, ab ), intelligence (= gestú (literally = "ear")) and creation (Nudimmud, from dim mud, "to engender", "to shape"). The exact meaning of his name is uncertain: the common translation is "Lord of the Earth": the Sumerian 'En' is translated as a title equivalent to "lord"; it was originally a title given to the High Priest; Ki means "earth"; but there are theories that Ki in this name has another origin, possibly Kig of unknown meaning, or Kur meaning "mound". The name Ea is allegedly Hurrian in origin while others claim that it is possibly of Semitic origin and may be a derivation from the West-Semitic root *hyy meaning "life" in this case used for "spring", "running water." In Sumerian E-A means "the house of water", and it has been suggested that this was originally the name for the shrine to the God at Eridu. Attributes: The main temple of Enki was called é-engur-a, the "house of the lord of deep waters"; e-unir or é-abzu, the "house of Abzu" (the house of far waters), the underground area of sweet waters (most probably the Sumerians' explanation of groundwater) marshlands that surrounded the mound on which the temple to Enki at Eridu was built. It was in Eridu, which was then in the wetlands of the Euphrates valley not far from the Persian Gulf. He was the keeper of the holy powers called Me, the gifts of civilized living. His image of the double-helix snake is reminiscent of the DNA helix. Enki is also the master shaper of the world, god of wisdom and of all magic. He is the lord of the Abzu (Apsu in Akkadian, hence perhaps the Greek abussos and English word "abyss"), the freshwater ocean of groundwater under the earth. In the later Babylonian "Enuma Eliš" Abzu, the "begetter of the gods", is inert and sleepy but finds his peace disturbed by the younger gods so sets out to destroy them. His grandson Enki, chosen to represent the younger gods puts a spell on Abzu "casting him into a deep sleep" confining him deep underground. Enki subsequently sets up his home "in the depths of the Abzu." Enki thus takes on all of the functions of the Abzu including his fertilising powers as lord of the waters and lord of semen. He is most often depicted: stepping out of the ocean; wearing a fish-suit of some kind; with fish or snakes around him; with streams of water flowing off of his shoulders, which is where the use of lines and waves to denote middle-ranks in the military probably originated. Peace |
 | Tidal Wave See all National Geographic videos: http://video.nationalgeographic.com/video/?source=4001 An annual tradition turns into disaster when onlookers are swept away by a tidal wave. |
 | COVER-UP! FRAGMENT #2 OF THE LOST SUMERIAN TABLETS For almost forty-eight hours, on a website originating somewhere inside South Africa, this second fragment of tablets discovered in Southern Iraq was posted in its English translation. To say the least, the language is very scary and the similarities with the region's current situation are undeniable. I've gotten a lot of emails asking for proof of my assertions in the previous video and I expect I'll undergo another onslaught after this video is posted. The proof is the ultimate truth of the story. As I have said earlier, truths that are jealously guarded eventually seep out in drips and drabs. There seems to be a different story concerning these tablets in Europe as many of you have already heard. I do not believe and completely discredit the whole assertion as pure fallacy based on the intimate knowledge of a colleague who has intimate knowledge of the find and activities of the Near Eastern panel assembled to deal with the discovery. The very existance of this panel is evidence of something big. Why would both the US and British governments get involved in what is traditionally the work of academia? The more websites that go down only spawn more and soon enough, the powers that be will have to come clean with the public about what exactly, they discovered near that historic ziggurat. |
 | Sumerian tablet Translations: Enki and the World Order 5/5 Translated by: Benito 1969, p. 77-160: translation, composite text, commentary Bottéro and Kramer 1989, p. 165-187: translation, commentary Kramer and Maier 1989, p. 38-56: translation, commentary Römer 1993a, p. 402-420: translation, commentary (ll. 248-273, 308-447) Wilcke 1976a, p. 9-10: handcopy (collations) Cuneiform sources: AO 6020 (TCL 15 36; RA 71 170; photo Naissance de l'Écriture 237) CBS 2194, CBS 2226 (HAV 7), CBS 4562 (PBS 10/2 1) + CBS 6888 (SEM 78) + CBS 6901 (SEM 80) + HS 1475 (TMH NF 3 1) + HS 1476 (ibid.) + HS 1502 (ibid., photo WZJ 9 pl. 7ff.) + HS 1554 (TMH NF 4 1; all HS coll. ASAW 65/4 11f.) CBS 4613 (PBS 12 48), CBS 8529 (SEM 79, photo WZJ 9 pl. 17f.), CBS 13918 (SEM 115), HS 2503 (ASAW 65/4 12), N 3562, N 5053, N 6288, Ni 2517 (SRT 44) Ni 4006 (SLTN 33), Ni 4083 (ISET 1 70), Ni 4206 (TAD 8/2 pl. 7), Ni 4540 (ISET 1 105), Ni 4554 (ISET 2 4; WZJ 9 pl. 6), Ni 9569 (ISET 1 147), Ni 9713 (ISET 1 121), Ni 9805 (ISET 2 4; WZJ 9 pl. 6), Ni 9855 (ISET 2 60), Ni 9916 (ISET 1 143) UM 29-15-38 (photo WZJ 9 pl. 14f.), UM 29-16-412, UM 29-16-413 (photo WZJ 9 pl. 12f.), UM 29-16-418, 3N-T726 = IM 58655, 3N-T923,499 (SLFN pl. 1), 3N-T927,528 (SLFN pl. 1) Enki (Sumerian: EN.KI(G)), later known as Ea in Babylonian mythology, originally chief god of the city of Eridu. He was the deity of crafts (= gašam), water (=a, ab ), intelligence (= gestú (literally = "ear")) and creation (Nudimmud, from dim mud, "to engender", "to shape"). The exact meaning of his name is uncertain: the common translation is "Lord of the Earth": the Sumerian 'En' is translated as a title equivalent to "lord"; it was originally a title given to the High Priest; Ki means "earth"; but there are theories that Ki in this name has another origin, possibly Kig of unknown meaning, or Kur meaning "mound". The name Ea is allegedly Hurrian in origin while others claim that it is possibly of Semitic origin and may be a derivation from the West-Semitic root *hyy meaning "life" in this case used for "spring", "running water." In Sumerian E-A means "the house of water", and it has been suggested that this was originally the name for the shrine to the God at Eridu. Attributes: The main temple of Enki was called é-engur-a, the "house of the lord of deep waters"; e-unir or é-abzu, the "house of Abzu" (the house of far waters), the underground area of sweet waters (most probably the Sumerians' explanation of groundwater) marshlands that surrounded the mound on which the temple to Enki at Eridu was built. It was in Eridu, which was then in the wetlands of the Euphrates valley not far from the Persian Gulf. He was the keeper of the holy powers called Me, the gifts of civilized living. His image of the double-helix snake is reminiscent of the DNA helix. Enki is also the master shaper of the world, god of wisdom and of all magic. He is the lord of the Abzu (Apsu in Akkadian, hence perhaps the Greek abussos and English word "abyss"), the freshwater ocean of groundwater under the earth. In the later Babylonian "Enuma Eliš" Abzu, the "begetter of the gods", is inert and sleepy but finds his peace disturbed by the younger gods so sets out to destroy them. His grandson Enki, chosen to represent the younger gods puts a spell on Abzu "casting him into a deep sleep" confining him deep underground. Enki subsequently sets up his home "in the depths of the Abzu." Enki thus takes on all of the functions of the Abzu including his fertilising powers as lord of the waters and lord of semen. He is most often depicted: stepping out of the ocean; wearing a fish-suit of some kind; with fish or snakes around him; with streams of water flowing off of his shoulders, which is where the use of lines and waves to denote middle-ranks in the military probably originated. Peace |
 | Akkadian Tablet Translations: The Epic of Atrahasis 1/6 Translated by: Dr. Stephanie Dalley, a former teacher of the Akkadian language at the Universities of Edinburgh and Oxford and is now Shillito Fellow in Assyriolology at the Oriental Institute, Oxford and a Senior Research Fellow of Somerville College. She also has worked on various excavations in the Middle East and has published cuneiform tablets found there by the British Archaeological Expedition to Iraq. http://www.orinst.ox.ac.uk/html/staff/?member=dalley ATRAHASIS Atrahasis the wise man, who built an ark and saved mankind from destruction, is a figure of immense prestige and antiquity to whom various literary and religious traditions were attached. He was known by a variety of names and epithets which were translated into different languages, sometimes with reinterpreted meanings, sometimes abbreviated, and in this way his fame spread over huge distances through a span of some five thousand years. In Mesopotamian literature he was the survivor of the Flood, together with his wife, and was granted a form of immortality by the great gods. The story of the Flood was one of the most popular tales of ancient times, and is found in several ancient languages, reworked to suit different areas and cultures so that different settings and details are found in each version. The specific information which follows helps to illustrate how widely diffused the man and the story became in the ancient world. ATRAHASIS IN HISTORY According to one version of the Sumerian king list, in the years just before the Flood swept over the earth, Ubara-Tutu (who is named as the father of Atrahasis in Gilgamesh) was king of Shuruppak, modern Tell Fara in central southern Mesopotamia, where some of the earliest writings known in the whole world have been unearthed. According to a different version of the Sumerian king list, Atrahasis, called there by his Sumerian name Ziusudra, himself ruled the city Shuruppak, preceded by his father who was named like the city, Shuruppak and who was presumably regarded as the eponymous ancestor of the citizens there. A wisdom composition known as The Instructions of Shuruppak is now attested on clay tablets from the Early Dynastic period in the early third millennium bc, and contains sage advice given by Shuruppak to his son Ziusudra. Thus Atrahasis was a notable figure at the dawn of history, and literary tradition was attached to him at an extremely early period. THE NAMES OF ATRAHASIS 'Extra-wise' is the meaning of his name in Atrahasis; he is Ut-napishtim and Uta-na'ishtim in Gilgamesh, a name which can mean 'He found life'. Sumerian Ziusudra is an approximate translation of Akkadian Ut-napishtim together with his epithet, in which the element sudra corresponds to Atrahasis' epithet ruau, 'the far-distant'. The name used by Berossus2 for the survivor of the Flood is Xisuthros, probably a phonetic rendering of Ziusudra. Prometheus, Deucalion's father, may possibly be an approximate Greek translation of Atrahasis, and it is just possible that an abbreviation of (Uta)-na'ish(tim) was pronounced 'Noah' in Palestine from very early times. Atrahasis is also found as the name or epithet of a man who features in a Hittite story about Kumarbi. It has been suggested that the name Ulysses, used by the Romans for Odysseus, comes from the Hittite ullu(ya)s, as a translation of Atrahasis' epithet 'the far-distant', and that the names Odysseus and Outis may be based on a pronunciation of the logogram for Ut-napishtim, which is UD. ZI.3 The name or epithet Atrahasis is used for the skilful god of craftsmanship Kothar-wa-hasis in Ugaritic mythology, and is abbreviated to Chousor in the Greek account of Syrian origins related by Philo of Byblos. A similar abbreviation is used in the name of the Islamic sage Al-khidr (also called al-Khadir), who guarded the Fountain of Life, and gave water from it to King Sakhr (meaning 'rock') who thus became immortal. This episode is related, in one of the Arabian Nights, to the Gilgamesh of Islamic narrative, Buluqiya, who, having travelled through many lands, lost his faithful adviser Affan in a fruitless attempt to obtain the ring of Suleiman, with which he might travel to the Fountain of Life and drink the water of immortality. The name Al-Khidr here bears a new etymology, 'the green one'. Al-khidr as a holy man of Islam is buried at Baniyas on the Golan Heights, where a tributary of the Jordan river gushes out of a rock. In all these appellations it is impossible to distinguish a 'real' name from an epithet. Peace |
 | Sumerian Tablet Translations: Enki & Ninmah 1/2 Print sources Benito 1969, p. 1-76: translation, composite text, commentary Bottéro and Kramer 1989, p. 188-198: translation, commentary Green 1975, p. 170-174: commentary Jacobsen 1987, p. 151-166: translation, commentary Klein 1997: commentary, translation Kramer and Maier 1989, p. 13-14, 31-37, 124, 132-133, 176: commentary, translation Lambert and Millard 1969, p. 42-70: commentary Pettinato 1971: commentary Römer 1993a, p. 386-401: translation, commentary Sauren 1993, p. 198-208: commentary, translation (ll. 4-46) Electronic sources Krecher 1996a: composite text, translation Cuneiform sources AO 7936 (TCL 16 71) BM 12845 (CT 42 28) CBS 2168 + CBS 2202 + CBS 11327 (all PBS 1/1 4; PBS 10/4 14) + CBS 12738 + CBS 13368 (SEM 116) N 1889 (photo Kramer SM pl. 17E, Sumerians pl. 16f.) N 2571 ?N 6385 The Electronic Text Corpus of Sumerian Literature (ETCSL) a project of the University of Oxford, comprises a selection of nearly 400 literary compositions recorded on sources which come from ancient Mesopotamia (modern Iraq) and date to the late third and early second millennia BCE. The corpus contains Sumerian texts in transliteration, English prose translations and bibliographical information for each composition. The transliterations and the translations can be searched, browsed and read online using the tools of the website. Funding for the ETCSL project came to an end in the summer of 2006 and no work is currently being done to this site or its contents. Peace |
 | Old Babylonian Tablet Translations: The Epic of Anzu 3/4 Translated by: Dr. Stephanie Dalley, a former teacher of the Akkadian language at the Universities of Edinburgh and Oxford and is now Shillito Fellow in Assyriolology at the Oriental Institute, Oxford and a Senior Research Fellow of Somerville College. She also has worked on various excavations in the Middle East and has published cuneiform tablets found there by the British Archaeological Expedition to Iraq. http://www.orinst.ox.ac.uk/html/staff/eanes/sdalley.html The Epic of Anzu is principally known in two versions. The Old Babylonian version of the early second millennium exists as a small portion of the tale, giving the hero as Ningirsu, a warrior-god who was patron of the city Girsu in central Mesopotamia. That city is chiefly known in the late third millennium from the inscriptions of Gudea, a Sumerian governor who rebuilt Eninnu, Ningirsu's temple, and composed long inscriptions in honour of the event, and from many fine objects found by the French in the excavation of strata which date around that time: the lion-headed eagle Anzu is often depicted on them. However, no Sumerian account of the story is known, and Anzu in the Sumerian Epic of Lugalbanda has a quite different character and role: he is a benevolent bird whose offspring are fed during his absence by the hero of the epic. As far as its fragmentary condition allows us to judge, the Old Babylonian version of Anzu was written in an abbreviated form in which repetitious passages are not written verbatim. Ningirsu is given the title 'the God' or perhaps Tl' in this version. The god Shara also plays a prominent role. He was the patron god of Umma, a city in central Mesopotamia which likewise flourished in the late third millennium and was not important thereafter. The Standard Babylonian version, dating to the first millennium bc, may have consisted of about 720 lines on three four-column tablets. Some were found on the Late Assyrian sites of Nineveh, Tarbisu and Sultantepe, and probably belong to the seventh century bc. Another tablet comes from a museum collection in the USA and is of unknown provenance. It is Late Babylonian, but seems to have followed the Nineveh version closely. In this version the hero is Ninurta whose great cult centre at that time was Kalah, modern Nimrud, one of the Assyrian kings' capital cities in the ninth and eighth centuries bc. The walls of Ninurta's temple there are faced with monumental stone sculptures illustrating a cosmic battle, probably a version of the Anzu epic. The story gives Ninurta the title 'Bel', 'The Lord', equivalent to West Semitic Ba'al. Repeated episodes are written out in full. The colophon to the Tarbisu version implies that the written story was known to the Hur-rians, who were powerful in the mid- to late second millennium and at times controlled Assyria from their cities north-west of Assyria. The story centres around possession of the Tablet of Destinies. The narrative structure is very similar to that of the Epic of Creation, both in the struggle to regain possession by the good gods, and in the pronouncement of names and hypostases for the victorious hero-god. The opening lines of the epic introduce the theme in the first person, representing the singer or poet, and are very closely comparable to the opening lines of Erra and Ishum. Nergal and Ninurta are quite close in some aspects of their characters, and in Erra and Ishum the defeat of Anzu with a net and the conquest of osafcfcu-demons are attributed to Nergal/Erra. The fight of Ninurta to defeat the asa/ckM-demons is known from the mainly Sumerian epic story of cosmic warfare called Lugal-e, and a companion story An-gim. These were very popular tales during both the second and the early first millennia. Sumerian Ninurta is armed with his trusty weapon Sharur; in Anzu Sharur plays a significant role as Ninurta's courier in the field of conflict. In Lugal-e his mother, the great goddess Nin-mah, speaks in support of him and is given the name Ninhursag, just as in Anzu, the mother of Ninurta as Belet-ili or Mami speaks in support of her son and is given the new title 'Mistress of All Gods'. Other epic deeds of Ninurta are known only from passing references: he slew the bull-man in the sea; he slew the six-headed wild ram on the mountain; he slew the seven-headed serpent. The Anzu epic and its ramifications in other tales illustrate how a common stock of narrative themes was used in different stories, and adapted in various places for diverse gods. Peace |
 | part 3 PRIVATE SPACE CRAFT WATCH FILM IN HIGH QUALITY look in all info about film then look hear at this film and info please http://uk.youtube.com/watch?v=I3ikmzcbF7s 64.40.104.22:80 http://uk.youtube.com/watch?v=Jlb2em0V230&watch_response look in http://uk.youtube.com/watch?v=Jlb2em0V230&watch_response all info about film then look hear at this film and info please http://uk.youtube.com/watch?v=I3ikmzcbF7s The Future of NASA http://bulletins.myspace.com/index.cfm?fuseaction=bulletin.read&authorID=368235966&messageID=6139014297&MyToken=98ac6227-2446-438e-be3b-87fc8c159d81&hash=MIG%2fBgorBgEEAYI3WAPxoIGwMIGtBgorBgEEAYI3WAMBoIGeMIGbAgMCAAECAmYDAgIAwAQIe5ckhU%2fYgGcEEBzclBlL0x8LIkMaE8GvKyQEcEcNspoLw0kOhouMDDvqvio5qY0mfUIaaOBJK08q2pU5aTCZpK41lAKGYU%2ffeP05XGvAi8e7GFMCQp8gFQJVNWad9%2bVGisMJQUVoLATENPlQoEDUNGsRX5bNJCX3rn0k9uoJL%2bJCJpw3OxysstHYtdM%3d ONCE UPON A TIME I HAD KIND HELP AND CHATS WITH Henry Kline Henry Kline jpl nasa gov and Gerry Gilmore FInstP ScD Professor of Experimental Philosophy Institute of Astronomy THAT TOLD ME WHAT THESE CRAFT ARE, THEY TOLD ME TO GO PUBLIC THEN WHEN I GOT TO CLOSE AND GOT GREAT FILM THEY BACK AWAY BECAUSE OTHER PEOPLE TOLD THEM LIES ABOUT ME. SO NOW I AM LEFT TO SHOW THE TRUTH MYSELF, BUT IN THE DARKNESS THERE IS A TROLL READY TO JUMP AND MAKE ME LOOK LIKE A HOAX, BUT I AM NOT GOING TO WAIT FOR THIS TROLL THAT WAS TOLD TO MAKE THINGS UP AGAINST ME , I HAVE SO MUCH FOOTAGE AND FILES TO PROVE WHAT I AM DOING I SHOW THIS FIRST SET OF FILMS MORE TO COME. people have let me down and taken my old footage and now sell it on there web page i have never been paid for my old footage. why has this man at TBLN.com still selling my films if he talk to gerry gilmore on the phone telling gerry lies about me saying i was fake. which i am not look he still sells my films at http://www.tbln.com/nowshowing.htm and http://theufostore.com/Merchant2/merchant.mv?Screen=PROD&Product_Code=Interstellar-DVD&Category_Code=DVD&Product_Count=87 i did try to stop tbln but the man at tbln starts a lot of trouble for me telling lie after lie to nasa and gerry gilmore but he still sells my old films i get horrible emails from the man at tbln Date: Tue, 4 Dec 07:07:37 -0800 From: josesskyfish@yahoo.com Subject: One by One l will catch up with you! To: santamonicajohn@hotmail.com Walson, I'm sure you heard from Gerry by now. How cool is that? BUSTED your dead mate! LOL! More coming your way pal. This is only the beginning! JE .......................................................... some links to my moon footage but he has not got these films of the moon http://uk.youtube.com/watch?v=taK2q7i46Go http://uk.youtube.com/watch?v=JHRKjReGH4g http://uk.youtube.com/watch?v=z6qOm-vrifI http://uk.youtube.com/watch?v=kqkp0oMcXts http://uk.youtube.com/watch?v=cYyyYTFwWkg http://uk.youtube.com/watch?v=VGYwlCiYyc8 some space craft WATCH FILM IN HIGH QUALITY star wars project - gerry gilmore said what these craft are, he said quote star wars project . others do this Mike Tyrrell and Phil Masding, but i get closer there link http://uk.youtube.com/watch?v=YTUiSNsmkCw MY SPACE FILMS VERY IMPORTANT YOU LOOK BELOW http://uk.youtube.com/watch?v=eB7_NwsYUmA http://uk.youtube.com/watch?v=SubpmgfmBCU http://uk.youtube.com/watch?v=qZjl-mXuIxI http://uk.youtube.com/watch?v=I3ikmzcbF7s http://uk.youtube.com/watch?v=eB7_NwsYUmA http://uk.youtube.com/watch?v=0hhDNohQuY8 http://uk.youtube.com/watch?v=uSgt84OyB7Y http://uk.youtube.com/watch?v=5WBzBWOtxzg http://uk.youtube.com/watch?v=uCl7DZHTTdk http://uk.youtube.com/watch?v=GSRdPS5yNhw http://uk.youtube.com/watch?v=wQUyiOU1qKc http://uk.youtube.com/watch?v=KIl57kyXowc http://uk.youtube.com/watch?v=vRyc-XusMfM http://uk.youtube.com/watch?v=jUooIyZzKTk http://uk.youtube.com/watch?v=0o9RUWOvO9U http://uk.youtube.com/watch?v=QgSMdKqvZrg http://uk.youtube.com/watch?v=NI7jLkAGavg http://uk.youtube.com/watch?v=YR-bwM4EfQU http://uk.youtube.com/watch?v=0hhDNohQuY8 http://uk.youtube.com/watch?v=Wg5VJfG07mM From: Henry Kline (Henry.Kline@jpl.nasa.gov) Sent: Mon 8/27/07 8:33 AM To: john lenard (santamonicajohn@hotmail.com) No, it's great. It looks like you are getting "closer" to the craft. And I like the design of your water mark. --H Gerry Gilmore FInstP ScD Professor of Experimental Philosophy Institute of Astronomy From: Gerry Gilmore gilastcamacuk Sent: Sat 2/10/07 2:37 AM To: john lenard santamonicajohn Hi John, thank you for the moon images: once again they show that you are an excellent photographer. There are of course many satellites in orbit, only a few of which are anything to do with JPL, but these are readily seen by astro-photographers like yourself all over the world. You should just enjoy the excellence of your images, and make them available as widely as is possible, through the public web-sites, magazines, etc, so you can get the credit you deserve for your skills. best regards Gerry text©2008 by John Lenard Walson. All Rights Reserved. |
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