 | Jordi Savall - Lamento Della Ninfa Juntei as imagens que eu mais gosto com uma música mais linda ainda! Espero que gostem!! Se trata de uma música trovadoresca, mas infelizmente, não consegui datá-la! (Cláudio Monteverdi por Jordi Savall - La Capella Reial de Catalunia - Lamento Della Ninfa) |
 | Claudio Monteverdi - Madrigali amorosi, Lamento della ninfa - Live in Dubrovnik Claudio Monteverdi - Madrigali amorosi, Lamento della ninfa: 'Amor, dicea, il ciel' Soloists of Croatian Radio Television Choir (Ivana Kladarin - soprano, Hrvoje Ivkosic - Tenor, Marko Pletikosa - tenor, Mladen Klepo - bass) Instrumental Ensemble: Kresimir Lazar - cello, Tanja Bandalovic - accordion!! Tonci Bilic - Conductor. At concert in Rector's Palace Atrium - Dubrovnik, 21.7.2008 LIVE cheers |
 | Monteverdi: Lamento Della Ninfa Stereo: http://br.youtube.com/watch?v=7CAjIVAO5f0&fmt=18 Claudio Monteverdi - Madrigali (Libro Ottavo) "Lamento Della Ninfa": 1. Non havea Febo ancore. 2. Lamento della Ninfa: Amor, dicea. 3. Dell'usate mie corde al suon. Dir: Jordi Savall. |
 | Monteverdi - Arianna - Lasciatemi morire - Kathleen Ferrier Kathleen Mary Ferrier (22/04/1912 -- 08/10/1953) English contralto. Contralto inglesa. Lasciatemi morire! E chi volete voi che mi conforte in così dura sorte, in così gran martire? Lasciatemi morire! Let me die, and who do you think can comfort me in such harsh fate, in such great suffering? Let me die L'Arianna (SV 291) was the second opera written by Monteverdi. It was first performed in Mantua in 1608. The opera has been lost except for the Lamento d'Arianna, also known by its first words, "Lasciatemi morire" ("Let me die") The lamento was preserved because Monteverdi later re-published it as a standalone piece in 1623. Score made from Parisotti Arie antiche vol II |
 | Claudio Monteverdi - Hor che'l ciel e la terra Claudio Giovanni Antonio Monteverdi (1567 - 1643). Claudio Monteverdi was born in 1567 in Cremona, in Northern Italy. During his childhood, he was taught by Marc'Antonio Ingegneri, the maestro di cappella or singing master, at the Cathedral of Cremona. He wrote his first music for publication, some motets and sacred madrigals, in 1582 and 1583 and by 1587 had produced his first book of secular madrigals. Between 1590 and 1611, Monteverdi worked at the court of Vincenzo I of Gonzaga in Mantua as a vocalist and viol player. 1602 was working as the court conductor. By 1613 Monteverdi had moved to the San Marco in Venice where, as conductor, he quickly restored the musical standard of both the choir and instrumentalists, which had declined due to the financial mismanagement of his predecessor, Giulio Cesare Martinengo. The managers of the basilica were relieved to have such a distinguished musician in charge, as the music had been in decline since the death of Giovanni Croce in 1609. Monteverdi was ordained a Catholic priest in 1632 and during the last years of his life, when he was often ill, he composed his two last masterpieces, both operas. Il ritorno d'Ulisse in patria (The Return of Ulysses, 1641), and the historic opera L'incoronazione di Poppea (The Coronation of Poppea, 1642), based on the life of the Roman emperor Nero. L'incoronazione especially is considered a culminating point of Monteverdi's work; it contains tragic, romantic, as well as comic scenes (a new development in opera), a more realistic portrayal of the characters, and warmer melodies than had previously been heard. It requires a smaller orchestra, and has a less prominent role for the choir. Monteverdi died in Venice on November 29, 1643 and is buried in the church of the Frari. Ottavo Libro de Madrigali: 1. Hor che'l ciel e la terra. Concerto Italiano. Dir. Rinaldo Alessandrini. |
 | Lamento della Ninfa Performers: Viveca Axcell (Soprano), Douglas Nasrawi (Tenor), John Potter (Tenor), Harry Van der Kamp (Bass) Claudio Monteverdi - Lamento della Ninfa Non havea Febo ancora recato al mondo il dì, ch'una donzella fuora del proprio albergo uscì. Sul pallidetto volto scorgeasi il suo dolor, spesso gli venia sciolto un gran sospir dal cor. Sì calpestando i fiori errava or qua, or là, i suoi perduti amori così piangendo va: "Amor", dicea, il ciel mirando, il piè fermò, "Dove, dov'è la fè che'l traditor giurò?" Miserella, ah più no, no, tanto gel soffrir non può. "Fa che ritorni il mio amor com'ei pur fu, o tu m'ancidi, ch'io non mi tormenti più. Non vo' più ch'ei sospiri se non lontan da me, no, no che i martiri più non darammi affè. Perchè di lui mi struggo, tutt'orgoglioso sta, che si, che si se'l fuggo ancor mi pregherà? Se ciglio ha più sereno colei che'l mio non è, già non rinchiude in seno amor si bella fè. Nè mai sì dolci baci da quella bocca avrai, nè più soavi, ah taci, taci, che troppo il sai." Sì, tra sdegnosi pianti, spargea le voci al ciel; così nei cori amanti mesce amor fiamma e gel. (O. Rinuccini) |
 | Le Pont des Arts Rehearsing Monteverdi's 'Lamento Della Ninfa'. Excerpt from Le Pont des Arts (Eugène Green, 2004) |
 | Robin Gorn live in Montreal: Lamento della ninfa Live at La Butte St. Jacques in Montreal. Robin Gorn (robingorn.com) sings her pop-inflected arrangement of Monteverdi's renaissance tune. African modern dancer Claudine Malard embodies the suffering of the beautiful young woman. Band members: Pablo Bonacina (guitar), Rodrigo Salazar (bass), Daniel Bellegarde (percussion). Sound editing: Neil O'connor. Camera: Raphaëlle Lambert and Marie-Christine Lance. Video editing: Pascale Marcotte, David Marcotte |
 | Lamento de la ninfa musica antigua |
 | Claudio Monteverdi - L'Orfeo, favola in musica (SV 318) Stereo: http://br.youtube.com/watch?v=TW7z5FD6Oxw&fmt=18 Claudio Giovanni Antonio Monteverdi (1567 - 1643). Claudio Monteverdi was born in 1567 in Cremona, in Northern Italy. During his childhood, he was taught by Marc'Antonio Ingegneri, the maestro di cappella or singing master, at the Cathedral of Cremona. He wrote his first music for publication, some motets and sacred madrigals, in 1582 and 1583 and by 1587 had produced his first book of secular madrigals. Between 1590 and 1611, Monteverdi worked at the court of Vincenzo I of Gonzaga in Mantua as a vocalist and viol player. 1602 was working as the court conductor. By 1613 Monteverdi had moved to the San Marco in Venice where, as conductor, he quickly restored the musical standard of both the choir and instrumentalists, which had declined due to the financial mismanagement of his predecessor, Giulio Cesare Martinengo. The managers of the basilica were relieved to have such a distinguished musician in charge, as the music had been in decline since the death of Giovanni Croce in 1609. Monteverdi was ordained a Catholic priest in 1632 and during the last years of his life, when he was often ill, he composed his two last masterpieces, both operas. Il ritorno d'Ulisse in patria (The Return of Ulysses, 1641), and the historic opera L'incoronazione di Poppea (The Coronation of Poppea, 1642), based on the life of the Roman emperor Nero. L'incoronazione especially is considered a culminating point of Monteverdi's work; it contains tragic, romantic, as well as comic scenes (a new development in opera), a more realistic portrayal of the characters, and warmer melodies than had previously been heard. It requires a smaller orchestra, and has a less prominent role for the choir. Monteverdi died in Venice on November 29, 1643 and is buried in the church of the Frari. L'Orfeo: L'Orfeo (L'Orfeo, favola in musica, SV 318, or La Favola d'Orfeo, or The Legend of Orpheus) is one of the earliest works recognized as an opera, composed by Claudio Monteverdi with text by Alessandro Striggio for the annual carnival of Mantua. It was first performed before the Accademia degl'Invaghiti on 24 February 1607 in a now unidentifiable room in the ducal palace at Mantua, and was published in Venice in 1609. The opera saw its modern debut on 25 February 1904 in a concert version in Paris directed by Vincent d'Indy. Le Concert des Nations. La Capella Reial de Catalunya. Montserrat Figueras (La Musica). Furio Zanasi (Orfeo). Arianna Savall (Euridice). Sara Mingardo (Messagiera). Cécile van de Sant (Speranza). Antonio Abete (Caronte). Adriana Fernandez (Proserpina). Daniele Carnovich (Plutone). Fulvio Bettini (Apollo). Mercedes Hernandez (Ninfa). Marilia Vargas (Eco). Gerd Türk (Pastores & Espiritus) Francesc Garrigosa (Pastores & Espiritus). Carlos Mena (Pastores & Espiritus). Ivan Garcia (Pastores & Espiritus). Dir. Jordi Savall. |
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