![]() | 1920s in Berlin: Dajos Béla - Wenn Ich die Blonde Inge, 1929 Wenn Ich die Blonde Inge (Friedrich Schwarz) - Kurt Mühlhardt & Dajos Béla Tanz-Orchester, Odeon 1929 |
![]() | Roaring Twenties: Berlin Jazz-Melancoly, 1929 Jazz-Sinfonie Billy Bartholomew - Huggable Kissable You (Irving Bibo) vom Palais de Danse, Berlin 1929 Recording: Grammophone 1929 |
![]() | Marta EGGERTH : "Ein Lied, ein Kuß, ein Mädel" More Kiepura and Eggerth - I heard...:-) Odeon O-11694 Matr. Be 9890 1932 |
![]() | sam ti natasha (sensin natasa) ruslarin turkleri anlatigi bir klip |
![]() | Tigers, Muses & Jasmine - The Wild Heroines of Weimar Berlin Micaela Leon & Paul Trueblood, piano In her musical portrayal of eight of the most notorious female trendsetters of Weimar Berlin in the 1920's, the German actress and singer Micaela Leon has been earning raves. In a show that "uncannily conjures the political and social instability of the Weimar Republic" (Jewish Week), Leon has been hailed as "confident and fascinating" (Lively Arts), "stunning and amazing" (Cabaret Hotline) and possessed of "great style in a truly compelling performance" (Cabaret Scenes). Cabaret Hotline calls this "a must-see for cabaret enthusiasts." "Tigers, Muses & Jasmine" intersperses songs by Friedrich Hollaender, Mischa Spoliansky, Hanns Eisler and Kurt Weill with the words, ideas and signature gestures of a remarkable rogues gallery of eight female actress-singers, dancers, a journalist and a politician. The show not only celebrates the avant-garde derring-do of these free spirits, it dramatizes the brewing Nazi storm on the horizon as it grows increasingly menacing. The eight women portrayed -- who traded in the scandal, rebellion and sense of experimentation that swelled in Berlin between the two world wars -- are Marlene Dietrich, Anita Berber, Valeska Gert, Rosa Luxemburg, Blandine Ebinger, Ruth Landshoff, Gabrielle Tergit and Claire Waldoff. Written and performed by Leon, directed by Lina Koutrakos, and with music direction by Paul Trueblood -- a noted expert in the music of this era who collaborated with original "Weimar girl," Greta Keller, as well as Marianne Faithful on her "20th Century Blues" album -- "Tigers, Muses & Jasmine" is the perfect antidote to the blandness of so much of our contemporary theatre. Not only that, and in the opinion of New York Press "there's nothing like seeing what the Nazis considered depraved!" |
![]() | Tango aus Berlin: Gib acht auf dein Herz, Margarete, 1935 Adalbert Lutter Tanz Orch., Refrainges. Die vier Belcantos - Gib acht auf dein Herz, Margarete (Schmitz/ Felz) Telefunken 1935 Adalbert LUTTER (B. 1896, Osnabrueck, Germany. D: 1970, Berlin) was a pianist and a bandleader who formed his own first small band in Hannover, following a stay in South America (1922-'28). From 1932 on, his band played in Berlin in the prestigeous restaurant-variete "Wilhelmshallen" as well as "Europa-Pavilion" and the Roof Garden of the "Cafe Berlin". The orchester made innumerable recordings, mostly for Telefunken (Lutter was a guest conductor at Telefunken). After World War II his was the house orchestra for the Russian Zone East Berlin Radio. In 1961 Lutter gave up his activity in the communist East Germany - just like many other conductors e.g. Otto Dobrindt, who was supposed to become the director of the House Orchestra of the city of Berlin (East) Broadcasts or Bruno Sangster - head of the orchestra of radio of so called German Democratic Republic. |
![]() | Dajos Béla - Schöner Gigolo, 1929 Odeon, 1929 Unknown singer. To me it is Alfred Vogel (???) |
![]() | Paul Godwin Tanz-Orchester, The Berlin tango of 1928 Paul Godwin Tanz-Orchester mit deutschem Refraingesang - Fräulein, pardon (Grammophon 1928) |
![]() | Another Sad Tango: Love's Gone, c. 1928 Love's Gone (Hatter/Maxwell) - Vic. Maxwell and His Dance Orchestra, Columbia c. 1928 |
![]() | Dajos Béla und sein Orchester - Who Dajos Béla led one of the the German top bands in the 20's and 30's. Thanks to 240252, I'm offering you this fascinating comparison between the smoother Olsen version posted earlier today and the particularly hot and snappy one by this orchestra. It was recorded for Odeon in 1927. |
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