3. Lassus: Missa pro Defunctis / Hilliard Ensemble




Title:
3. Lassus: Missa pro Defunctis / Hilliard Ensemble

Description:
Stereo: http://br.youtube.com/watch?v=i8hTTpxBYaM&fmt=18 Orlande de Lassus (1532 - 1594). III. Missa pro defunctis. The Hilliard Ensemble: David James (Countertenor). Rogers Covey Crump (Tenor). John Potter (Tenor). Gordon Jones (Baritone). Orlande de Lassus was born in Mons in the province of Hainaut, in what is today Belgium. Information about his early years is scanty, although some uncorroborated stories have survived, the most famous of which is that he was kidnapped three times because of the singular beauty of his singing voice. At the age of twelve he left the Low Countries with Ferrante Gonzaga and went to Mantua, Sicily, and later Milan (from 1547 to 1549). While in Milan he made the acquaintance of the madrigalist Spirito l'Hoste da Reggio, an influence which was formative on his early musical style. He then worked as a singer and a composer for Costantino Castrioto in Naples in the early 1550s, and his first works are presumed to date from this time. Next he moved to Rome, where he worked for Cosimo I de' Medici, Grand Duke of Tuscany, who maintained a household there; and in 1553, he became maestro di cappella of the Basilica di San Giovanni in Laterano in Rome, a spectacularly prestigious post for a man only twenty-one years old, but he stayed there only for a year (Palestrina took this post a year later, in 1555). No solid evidence survives for his whereabouts in 1554, but there are contemporary claims that he traveled in France and England. In 1555 he returned to the Low Countries and had his early works published in Antwerp (1555-1556). In 1556 he joined the court of Duke Albrecht V of Bavaria, who was consciously attempting to create a musical establishment on a par with the major courts in Italy; Lassus was one of several Netherlanders to work there, and by far the most famous. He evidently was happy in Munich and decided to settle there. In 1558 he married Regina Wäckinger, the daughter of a maid of honor of the Duchess; they had two sons, both of whom became composers. By 1563 Lassus had been appointed maestro di cappella, succeeding Ludwig Daser in the post. Lassus remained in the service of Albrecht V and his heir, Wilhelm V, for the rest of his life. By the 1560s Lassus had become quite famous, and composers began to go to Munich to study with him. Andrea Gabrieli went there in 1562, and possibly remained in the chapel for a year; Giovanni Gabrieli also possibly studied with him in the 1570s. His renown had spread outside of strictly musical circles, for in 1570 Emperor Maximilian II conferred nobility upon him, a rare circumstance for a composer; Pope Gregory XIII knighted him; and in 1571, and again in 1573, the king of France, Charles IX, invited him to visit. Some of these kings and aristocrats attempted to woo him away from Munich with more attractive offers, but Lassus was evidently more interested in the stability of his position, and the splendid performance opportunities of Albrecht's court, than in financial gain. "I do not want to leave my house, my garden, and the other good things in Munich," he wrote to the Duke of Saxony in 1580, upon receiving an offer for a position in Dresden. In the late 1570s and 1580s Lassus made several visits to Italy, where he encountered the most modern styles and trends. In Ferrara, the center of avant-garde activity, he doubtless heard the madrigals being composed for the d'Este court; however his own style remained conservative, indeed becoming more simple and more refined as he aged. In the 1590s his health began to decline, and he went to a doctor named Thomas Mermann for treatment of what was called "melancholia hypocondriaca"; however he still was able to compose as well as travel occasionally. His final work was one of his best pieces: an exquisite set of twenty-one madrigali spirituali known as the Lagrime di San Pietro ("Tears of St. Peter"), which he dedicated to Pope Clement VIII, and which was published posthumously in 1595. Lassus died in Munich, on June 14, 1594, the same day that his employer decided to dismiss him for economic reasons; he never saw the letter.

Author:
OedipusColoneus

Tags:
Lassus, Requiem, Missa, pro, Defunctis, The, Hilliard, Ensemble,

Related Videos:

Requiem aeternam, Introito gregoriano
Requiem aeternam, introito canto gregoriano Missa pro Defunctis nell'interpretazione di Giovanni Vianini direttore della Schola Gregoriana Mediolanensis - Basilica di San Marco Milano Italia
4. Lassus: Missa pro Defunctis / Hilliard Ensemble
Stereo: br.youtube.com Orlande de Lassus (1532 - 1594). IV. Missa pro defunctis. The Hilliard Ensemble: David James (Countertenor). Rogers Covey Crump (Tenor). John Potter (Tenor). Gordon Jones (Baritone). Orlande de Lassus was born in Mons in the province of Hainaut, in what is today Belgium. Information about his early years is scanty, although some uncorroborated stories have survived, the most famous of which is that he was kidnapped three times because of the singular beauty of his ...
11. Lassus: Missa pro Defunctis / Hilliard Ensemble
Stereo: br.youtube.com Orlande de Lassus (1532 - 1594). XI. Missa pro defunctis The Hilliard Ensemble: David James (Countertenor). Rogers Covey Crump (Tenor). John Potter (Tenor). Gordon Jones (Baritone). Orlande de Lassus was born in Mons in the province of Hainaut, in what is today Belgium. Information about his early years is scanty, although some uncorroborated stories have survived, the most famous of which is that he was kidnapped three times because of the singular beauty of his ...
The Hilliard Ensemble encerraram Cistermúsica
O 16º Cistermúsica encerrou no dia 10 de Junho a sua viagem à Era das Catedrais. O espectáculo dos "The Hilliard Ensemble" na nave principal do Mosteiro de Alcobaça teve sala cheia para ouvir o quarteto de vozes "a capela" britânico que regressou a Portugal uma segunda vez. VEJA O VIDEO COMPLETO EM: www.oeste.tv
8. Lassus: Missa pro Defunctis / Hilliard Ensemble
Stereo: br.youtube.com Orlande de Lassus (1532 - 1594). VII. Missa pro defunctis The Hilliard Ensemble: David James (Countertenor). Rogers Covey Crump (Tenor). John Potter (Tenor). Gordon Jones (Baritone). Orlande de Lassus was born in Mons in the province of Hainaut, in what is today Belgium. Information about his early years is scanty, although some uncorroborated stories have survived, the most famous of which is that he was kidnapped three times because of the singular beauty of his ...
Spem in Alium non habui - motet for 40 voices, P. 299 Thomas Tallis
Utopia Triumphans The Great Polyphony of the Renaissance Huelgas Ensemble - Paul Van Nevel (c) Sony Vivarte 66261
Lassus - Missa pro defunctis - 1/9
Roland de Lassus (1532-1594) Missa pro defunctis 1. Responsorium: Memento mei Deus Memento mei Deus, quia ventus est vita mea: Nec aspiciat visus hominis. De profundis clamavi ad te, Domine: Domine, exaudi vocem meam. The Hilliard Ensemble David James countertenor Rogers Covey-Crump tenor John Potter tenor Gordon James baritone Recording: November 1993, Boxgrove Priory, Chichester Photo: Édouard Delessert (1828-1898) Orlande de Lassus - Orlando di Lasso - Orlandus Lassus - Roland Delattre ...
Huelgas Ensemble And Paul van Nevel
Josquin Desprez: dulces exuviae Publiusz Vergilius Maro (Wergiliusz, Aeneid 4, v.651-654) Harmonia Mundi
RE: The music of Festa - Various contrapunti
An explaination was put up on this music in my first video on Festa, which can be found in my other videos. I hope you enjoy! :) Costanzo Festa - (ca.1490-1545) Contrapunti - -118 a 5 - 2'34" -35 a 4 - 1'00" -8 a 3 - 1'37" -37 a 4 - 1'29" -9 a 3 - 1'21" -125 a 11 - 1'41" performed by: Huelgas-Ensemble label: Harmonia Mundi
Orlandus Lassus: Missa "Tous les regretz" 1/5 Kyrie
Orlandus Lassus (also Orlande de Lassus, Orlando di Lasso, Roland de Lassus, or Roland Delattre) (1532 (possibly 1530) June 14, 1594) was a Franco-Flemish composer of late Renaissance music. Along with Palestrina (of the Roman School), he is today considered to be the chief representative of the mature polyphonic style of the Franco-Flemish School, and he was the most famous and influential musician in Europe at the end of the 16th century.
Featured Companies
Vacation By VVacation By V
TripAtlas.com on Facebook