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Sweet Home Chicago


Title:
Sweet Home Chicago

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BCB Band sings Sweet Home Chicago a Blues Standard. It is dedicated to RickyShades. http://www.youtube.com/user/RickyShades "Sweet Home Chicago" is a popular blues standard in the twelve bar form. It was first recorded and is credited to have been written by Robert Johnson.[2] Over the years the song has become one of the most popular anthems for the city of Chicago despite ambiguity in Johnson's original lyrics. Johnson recorded the song during his first recording session in November 1936, and it was released on Vocalion Records (Recording Number 03601). He gives a stirring performance, with a driving guitar rhythm and a high, near-falsetto vocal. It was a limited release race record, and was not a big-seller. The song's popularity grew only after Johnson's death in 1938. Interestingly, the lyrics only obliquely refer to Chicago itself, in the song's refrain, where the song narrator pleads for a woman to go with him back to "that land of California/ my sweet home Chicago". Indeed, California is mentioned in the song more than Chicago, both during this refrain and in one of the stanzas ("I'm goin' to California/ two thousand miles away"). These perplexing lyrics have been a source of controversy for many years. In the 1960's and 1970's, some commentators speculated this was a geographical mistake on Johnson's part. This is clearly untrue, as Johnson was a highly sophisticated songwriter and used geographical references in a number of his songs. One interpretation is that Johnson intended the song to be a metaphorical description of an imagined paradise combining elements of the American north and west, far from the racism and poverty inherent to the Mississippi Delta of 1936.[2]. Like Chicago, California was a common such destination in many Great Depression Era songs, books, and movies. A more sophisticated and humorous interpretation (and one more consistent with all of the lyrics) has the narrator pressuring a woman to leave town with him for Chicago, but his blatant geographic ignorance reveals his attempt at deceit. There is yet another unverified suggestion in Alan Greenberg's Love In Vain: A Vision of Robert Johnson, that Johnson had a remote relative who lived in Port Chicago, California, which if true would add ambiguity as to which Chicago the lyrics are referring. As the song grew to be a homage to Chicago, the original lyrics which refer to California were altered in most cover versions. The line "Back to the land of California" is changed to "Back to the same old place", and the line "I'm going to California" becomes "I'm going back to Chicago". This altered version dates back to pianist Roosevelt Sykes. The authorship of the song is a matter of some dispute. The musical atmosphere of the 1930s blues and folk community lent itself to borrowing of music. Reportedly, songs recorded by bluesmen Scrapper Blackwell and Kokomo Arnold bear striking similarity to "Sweet Home Chicago", having been recorded years before.[2] Leroy Carr's "Baby Don't You Love Me No More" (Scrapper on Piano) shares the rhythmic approach and the feel of the initial two verses. As of 2002, the copyright to the song was owned by businessman Stephen LaVere, who in 1973 convinced Johnson's half-sister Carrie Thompson to sign a contract splitting the royalties with LaVere. The list of artists who have covered the song is immense, including Buddy Guy, Earl Hooker, Freddie King, Foghat, Status Quo, Johnny Otis, Eric Clapton, and The Blues Brothers. LaVere once remarked "It's like 'When the Saints Go Marching In' to the blues crowd."

Author:
BCBband

Tags:
Band, BCB, Blues, City, Oklahoma,

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sweet home chicago "Sweet Home Chicago" is a popular blues standard in the twelve bar form. It was first recorded and is credited to have been written by Robert Johnson.[2] Over the years the song has become one of the most popular anthems for the city of Chicago despite ambiguity in Johnson's original lyrics. Johnson recorded the song during his first recording session in November 1936, and it was released on Vocalion Records (Recording Number 03601). He gives a stirring performance, with a driving guitar rhythm and a high, near-falsetto vocal. It was a limited release race record, and was not a big-seller. The song's popularity grew only after Johnson's death in 1938. Interestingly, the lyrics only obliquely refer to Chicago itself, in the song's refrain, where the song narrator pleads for a woman to go with him back to "that land of California/ my sweet home Chicago". Indeed, California is mentioned in the song more than Chicago, both during this refrain and in one of the stanzas ("I'm goin' to California/ two thousand miles away"). These perplexing lyrics have been a source of controversy for many years. In the 1960's and 1970's, some commentators speculated this was a geographical mistake on Johnson's part. This is clearly untrue, as Johnson was a highly sophisticated songwriter and used geographical references in a number of his songs. One interpretation is that Johnson intended the song to be a metaphorical description of an imagined paradise combining elements of the American north and west, far from the racism and poverty inherent to the Mississippi Delta of 1936.[2]. Like Chicago, California was a common such destination in many Great Depression Era songs, books, and movies. A more sophisticated and humorous interpretation (and one more consistent with all of the lyrics) has the narrator pressuring a woman to leave town with him for Chicago, but his blatant geographic ignorance reveals his attempt at deceit. There is yet another unverified suggestion in Alan Greenberg's Love In Vain: A Vision of Robert Johnson, that Johnson had a remote relative who lived in Port Chicago, California, which if true would add ambiguity as to which Chicago the lyrics are referring. Come on Oh baby dont you wanna go Come on Oh baby dont you wanna go Back to that same old place Sweet home chicago Come on Baby dont you wanna go Hidehey Baby dont you wanna go Back to that same old place Oh sweet home chicago Well, one and one is two Six and two is eight Come on baby dont ya make me late Hidehey Baby dont you wanna go Back to that same old place Sweet home chicago Come on Baby dont you wanna go Back to that same old place Sweet home chicago Six and three is nine Nine and nine is eighteen Look there brother baby and see what Ive seen Hidehey Baby dont you wanna go Back to that same old place Sweet home chicago Oh come on Baby dont you wanna go Come on Baby dont you wanna go Back to that same old place Sweet home chicago
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Sweet Home Chicago
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91 Year Old Blues Legend and N.E.A. Recipient Robert Lockwood, Jr. plays live on stage at the Palace Theatre in Grapevine, Texas About The Blue Shoe Project: Students Should Experience the Blues - The Blue Shoe Project was founded to keep the blues alive by exposing students to the few blues legends still alive and able to pass on their legacy in person by teaching students about the profound impact of the blues on our music history. The Legends of the Blues and those influenced by it are aging or passing and with it their rich history and culture. These legendary figures made a profound impact on American Music and our society and students at all levels should know it, be proud of it and experience it. One of the ways we accomplish this objective is to bring Artists into the classroom for students to experience living history. Whether an industry legend, or a practicing Artist of the Blues, our Education Programs provide students a true appreciation for and a valuable understanding of the history, style, and impact of the Blues, even an opportunity to "play the Blues". The Blue Shoe Project tailors the delivery of blues education to elementary through college students. Programs feature professional, and in some cases "legendary" musicians who are passionate about sharing their extraordinary talent and telling their inspiring stories to students of all ages. Blues is America's Gift to the World - As a country, there is one thing we have undeniably given the world that no other culture can lay claim to, our music. Blues music. Travel outside the US and its Blues they idolize. From the UK to Japan, to South America, Blues above all is the music of all music. One of the reasons Blue Shoe is so passionate about educating Texas students about the blues is the role Texas played in the evolution of blues. Texas was the birthplace of some of the most legendary and influential figures in music history, let alone blues history, including Blind Lemon Jefferson ,T-Bone Walker, Lightnin' Hopkins and Freddie King, to name just a few from a very long list of Texan blues greats. Add the fact that a significant portion of rock-n-roll artists from the '50s through the '70s looked to Texas blues artists for their inspiration. Given this rich history, Blue Shoe believes that Texas should be taking its rightful place by promoting its blues heritage, starting in our schools. Please visit The Blue Shoe Times Blog for posts about Robert: http://www.blueshoetimes.com For more information on The Blue Shoe Project please visit our website at: http://www.blueshoeproject.org http://www.myspace.com/theblueshoeproject For more information on Robert Lockwood, Jr. Please visit the official Robert Lockwood, Jr. Myspace Page at" http://www.myspace.com/robertlockwoodjr