 | When White people can say the "N -Word" When can us white people say the.... say the "n-word" |
 | Lying Lips 1/10 (1939) An innocent woman (Edna Mae Harris) is sent to prison for murdering her aunt while her best friend and a Detective (Robert Earl Jones) try to find the real killers. This was my third film by the director but the first sound feature. Part 2 - http://www.youtube.com/watch?v=kspPH0EmJbg Watch all my channels: http://youtube.com/hollywoodclassics http://youtube.com/hollywoodclassics2 http://youtube.com/hollywoodclassics3 http://youtube.com/hollywoodclassics4 http://youtube.com/hollywoodclassics5 http://youtube.com/classicanimation http://youtube.com/dancefrenzy http://youtube.com/classicdocumentaries http://youtube.com/vintagecommercials http://youtube.com/classicsoundbox http://youtube.com/videomiscellany |
 | Paul Robeson Paul Robeson |
 | Lying Lips 2/10 (1939) An innocent woman (Edna Mae Harris) is sent to prison for murdering her aunt while her best friend and a Detective (Robert Earl Jones) try to find the real killers. This was my third film by the director but the first sound feature. Part 3 - http://www.youtube.com/watch?v=UZYy6oSITgg Watch all my channels: http://youtube.com/hollywoodclassics http://youtube.com/hollywoodclassics2 http://youtube.com/hollywoodclassics3 http://youtube.com/hollywoodclassics4 http://youtube.com/hollywoodclassics5 http://youtube.com/classicanimation http://youtube.com/dancefrenzy http://youtube.com/classicdocumentaries http://youtube.com/vintagecommercials http://youtube.com/classicsoundbox http://youtube.com/videomiscellany |
 | E. Preer - It Takes A Good Woman To Keep A Good Man At Home Since this video mysteriously disappeared in YT's "catacombs", here is its reloaded version. Evelyn Preer was a notable stage and screen actress, as well as an accomplished blues singer of the 1910s through the early 1930s, till her premature death in 1932.. Upon completing high school, Evelyn began her career in early vaudeville and minstrel shows before beginning her critically lauded professional association with Oscar Micheaux, the African-American film director dubbed the "Father of Afro-American Cinema". Preer's first film role was in Micheaux's 1919 debut effort The Homesteader. As his premier leading actress, Micheaux heavily promoted Preer with a steady tour of personal appearances and a publicity campaign. Many of Micheaux's subsequent films were vehicles designed to showcase Preer's extraordinary versatility; Preer was lauded by both the black and white press for her ability to continually succeed in ever more challenging roles and refusing to play roles that she believed demeaned African-Americans. Her most well known role is in her only known surviving Micheaux film appearance, 1919's Within Our Gates. In 1920, Evelyn Preer joined The Lafayette Players, a theatrical stock company founded in 1915 by another pioneering stage and film actress Anita Bush, who was known as "The Little Mother of Black Drama." Bush and her acting troupe brought legitimate theatre to black audiences throughout the U.S. While the troupe was based in Chicago, Preer met her future husband, fellow Lafayette Player Edward Thompson. They married in Nashville, Tennessee in 1924 while on a Southern tour. In the mid-1920's Evelyn Preer began garnering much attention from the white press and began making a foray into "crossover" films and stage parts. In 1926, she had a successful stint on Broadway in David Belasco's production of Lulu Belle. Preer supported and understudied actress Lenore Ulric in the leading role of Edward Sheldon's steamy drama of a Harlem prostitute. She won further acclaim as Sadie Thompson on the West Coast in a revival of Somerset Maugham's fallen woman melodrama, Rain in 1928. A 1930 race musical Georgia Rose, presented Preer in her feature talkie debut. In 1931 Preer performed onscreen opposite actress Sylvia Sidney in the film Ladies of the Big House. Her final film performance was the minor role of a prostitute named Lola in Josef von Sternberg's 1932 film Blonde Venus, opposite Cary Grant and Marlene Dietrich. As an accomplished vocalist, and during stints in cabaret and musical theater Preer was occasionally backed by such legendary and diverse musicians as Duke Ellington and Red Nichols. In April 1932, Preer gave birth to her only child, Edeve Thompson. She developed post-parturition complications and died of double pneumonia on November 27, 1932 in Los Angeles, aged 36. As for this excellent record, it was made for Victor in on October 14th, 1926. The accompanying instrumentists remained uncredited. |
 | have you ever said it?... n-word clip These are my favorite scenes from the movie. |
 | Excerpt of speech from my film James Baldwin Anthology This is a incendiary speech by Jimmy that I shot at U. C. Berkeley Campus Circa 1979. This is only a small clip from my feature film "The James Baldwin Anthology" This was featured on CSPAN and Biography 2002 |
 | "Tyler Twins" From Harlem "I Got Rhythm" (George & Ira Gershwin) is performed here by the Tyler Twins in the Oscar Micheaux film "Swing!" released in 1938. The young singer/dancer is Harold Cromer, who was a feature of several prominent Broadway shows and appeared in the 1984 film "Cotton Club." Filmed entirely in New York, many of Micheaux's actors were unknown in Hollywood. They appeared in one other feature, "God's Step Children," also directed by Oscar Micheaux in 1938. |
 | MING AND TOY, Vaudeville Routine, 1936 Billed as "Ming and Toy," the man (Ming) plays ukulele, accordion and cracks stereotype jokes. He plays a prestissimo version of "Sweet Sue - Just You" then does a little juggling. His little friend, Toy, breaks into a Cab Calloway impersonation, while singing "Sing a Little Low Down Tune." |
 | Don't Hurt Me Mr. Nigger! It's always a good time to say, "Don't Hurt Me Mr. Nigger, I'm Retarded!" |
| Oceanfrontier Hideaway | |
| Sheraton Suites Philadelphia Airport | |
| The Boulders Resort and Golden Door Spa | |
| Coral Beach Club |
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