 | Yve-Alain Bois. European Graduate School Calle. 2003 1/7 http://www.egs.edu/ Yve-Alain Bois (born 1952) is an historian and critic of modern art. Yve-Alain Bois was born on April 16, 1952 in Constantine, Algeria. Public open video lecture for the students and faculty of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2004.‹a href="http://www.egs.edu/"›European Graduate School, Media and Communication Studies department program‹/a› He received an M.A. from the Ecole Pratique des Hautes Etudes in Paris for work on El Lissitzky's typography, and a Ph.D. from the Ecole des Hautes Etudes en Sciences Sociales for work on Lissitzky's and Malevich's conceptions of space. His advisor was Roland Barthes. Yve-Alain Bois has written books or major articles on canonical artists of European modernism including Henri Matisse, Pablo Picasso, Piet Mondrian, El Lissitzky, Kazimir Malevich, Sophie Taeuber-Arp, and of American postwar art including Barnett Newman, Ad Reinhardt, Cy Twombly, Ellsworth Kelly, Richard Serra, and Robert Ryman. He is also an influential interpreter of comparatively more obscure artists including Wladyslaw Strzeminski, Katarzyna Kobro, and Sophie Calle. He is an editor of the journal October. |
 | Yve-Alain Bois. European Graduate School Media. 2003 4/7 http://www.egs.edu/ Yve-Alain Bois (born 1952) is an historian and critic of modern art. Yve-Alain Bois was born on April 16, 1952 in Constantine, Algeria. Public open video lecture for the students and faculty of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2004.‹a href="http://www.egs.edu/"›European Graduate School, Media and Communication Studies department program‹/a› He received an M.A. from the Ecole Pratique des Hautes Etudes in Paris for work on El Lissitzky's typography, and a Ph.D. from the Ecole des Hautes Etudes en Sciences Sociales for work on Lissitzky's and Malevich's conceptions of space. His advisor was Roland Barthes. Yve-Alain Bois has written books or major articles on canonical artists of European modernism including Henri Matisse, Pablo Picasso, Piet Mondrian, El Lissitzky, Kazimir Malevich, Sophie Taeuber-Arp, and of American postwar art including Barnett Newman, Ad Reinhardt, Cy Twombly, Ellsworth Kelly, Richard Serra, and Robert Ryman. He is also an influential interpreter of comparatively more obscure artists including Wladyslaw Strzeminski, Katarzyna Kobro, and Sophie Calle. He is an editor of the journal October. (more) |
 | Yve-Alain Bois. European Graduate School Lecture 2003 7/7 http://www.egs.edu/ Yve-Alain Bois (born 1952) is an historian and critic of modern art. Yve-Alain Bois was born on April 16, 1952 in Constantine, Algeria. Public open video lecture for the students and faculty of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2004.‹a href="http://www.egs.edu/"›European Graduate School, Media and Communication Studies department program‹/a› He received an M.A. from the Ecole Pratique des Hautes Etudes in Paris for work on El Lissitzky's typography, and a Ph.D. from the Ecole des Hautes Etudes en Sciences Sociales for work on Lissitzky's and Malevich's conceptions of space. His advisor was Roland Barthes. Yve-Alain Bois has written books or major articles on canonical artists of European modernism including Henri Matisse, Pablo Picasso, Piet Mondrian, El Lissitzky, Kazimir Malevich, Sophie Taeuber-Arp, and of American postwar art including Barnett Newman, Ad Reinhardt, Cy Twombly, Ellsworth Kelly, Richard Serra, and Robert Ryman. He is also an influential interpreter of comparatively more obscure artists including Wladyslaw Strzeminski, Katarzyna Kobro, and Sophie Calle. He is an editor of the journal October. |
 | Sophie Calle - European Graduate School 2004 1/2 http://www.egs.edu/ Sophie Calle lecturing about her artwork, history, biography, the relationship with her father, her studies, private and public space,persons, following people, taking photos and writing notes. Sophie Calle, filmmaker and director and Yve-Alain Bois, art historian Harvard University. Public open video lecture for the faculty and students of the European Graduate School, Media and Communication Studies Department Program, EGS, Saas-Fee, Switzerland, Europe, 2004.Sophie Calle. Sophie Calle (born 1953) is a French writer, photographer, installation artist, and conceptual artist. Calle's work is distinguished by its use of arbitrary sets of constraints, and evokes the French literary movement of the 1960s known as Oulipo. Her work frequently depicts human vulnerability, and examines identity and intimacy. She is recognized for her detective-like ability to follow strangers and investigate their private lives. Her photographic work often includes panels of text of her own writing. Calle began working as an artist in the 1970s, after traveling the world for seven years. When she returned to Paris, the city in which she was born, she recalls feeling isolated and lost; this isolation inspired her to investigate the lives of the people around her. Her first photographs were of graves marked simply mother and father. Although much of her work employs voyeurism, Calle has allowed her own life to be put on display as well. She became so intrigued by following her unwitting subjects that she wanted to reverse the relationship, and become the subject herself. She asked her mother to hire a private detective to follow her, without the detective knowing that she had arranged it, with the hopes that his investigation would provide photographic evidence of her existence. Suite Venitienne (1979), The Sleepers, Address Book (1983), The Hotel (1983), The Blind (1986), The Mystery Guest: An Account (2006) Faux fuyants (1983), Actress La détective, Subterfuge, Leviathan (1992), No Sex Last Night (1996) Double Blind, The Gotham Handbook (1998), In Room with a View (2003), Exquisite Pain, Detective Venice Pompidou Paris |
 | Yve-Alain Bois. European Graduate School Photo 2003 3/7 http://www.egs.edu/ Yve-Alain Bois (born 1952) is an historian and critic of modern art. Yve-Alain Bois was born on April 16, 1952 in Constantine, Algeria. Public open video lecture for the students and faculty of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2004.‹a href="http://www.egs.edu/"›European Graduate School, Media and Communication Studies department program‹/a› He received an M.A. from the Ecole Pratique des Hautes Etudes in Paris for work on El Lissitzky's typography, and a Ph.D. from the Ecole des Hautes Etudes en Sciences Sociales for work on Lissitzky's and Malevich's conceptions of space. His advisor was Roland Barthes. Yve-Alain Bois has written books or major articles on canonical artists of European modernism including Henri Matisse, Pablo Picasso, Piet Mondrian, El Lissitzky, Kazimir Malevich, Sophie Taeuber-Arp, and of American postwar art including Barnett Newman, Ad Reinhardt, Cy Twombly, Ellsworth Kelly, Richard Serra, and Robert Ryman. He is also an influential interpreter of comparatively more obscure artists including Wladyslaw Strzeminski, Katarzyna Kobro, and Sophie Calle. He is an editor of the journal October. |
 | TateShots Issue 7 - Alex James on Ellsworth Kelly Alex James on Ellsworth Kelly |
 | Sophie Calle - European Graduate School 2004 2/2 http://www.egs.edu/ Sophie Calle lecturing about her artwork, history, biography, the relationship with her father, her studies, private and public space,persons, following people, taking photos and writing notes. Sophie Calle, filmmaker and director and Yve-Alain Bois, art historian Harvard University. Public open video lecture for the faculty and students of the European Graduate School, Media and Communication Studies Department Program, EGS, Saas-Fee, Switzerland, Europe, 2004.Sophie Calle. Sophie Calle (born 1953) is a French writer, photographer, installation artist, and conceptual artist. Calle's work is distinguished by its use of arbitrary sets of constraints, and evokes the French literary movement of the 1960s known as Oulipo. Her work frequently depicts human vulnerability, and examines identity and intimacy. She is recognized for her detective-like ability to follow strangers and investigate their private lives. Her photographic work often includes panels of text of her own writing. Calle began working as an artist in the 1970s, after traveling the world for seven years. When she returned to Paris, the city in which she was born, she recalls feeling isolated and lost; this isolation inspired her to investigate the lives of the people around her. Her first photographs were of graves marked simply mother and father. Although much of her work employs voyeurism, Calle has allowed her own life to be put on display as well. She became so intrigued by following her unwitting subjects that she wanted to reverse the relationship, and become the subject herself. She asked her mother to hire a private detective to follow her, without the detective knowing that she had arranged it, with the hopes that his investigation would provide photographic evidence of her existence. Suite Venitienne (1979), The Sleepers, Address Book (1983), The Hotel (1983), The Blind (1986), The Mystery Guest: An Account (2006) Faux fuyants (1983), Actress La détective, Subterfuge, Leviathan (1992), No Sex Last Night (1996) Double Blind, The Gotham Handbook (1998), In Room with a View (2003), Exquisite Pain, Detective Venice Pompidou Paris |
 | TateShots Issue 12 - John Squire / Cy Twombly John Squire on why he loves the paintings of Cy Twombly |
 | Sophie Calle L'œuvre de Sophie Calle est un mélange de fiction, d'autofiction et de récits vrais. Christine Macel, commissaire de son exposition "M'as-tu vue" et Emmanuel Perrotin, son galeriste, commentent sa production. En voir plus sur : http://www.vodeo.tv/18-22-2948-sophie-calle.html?PARTID=9085 |
 | Charlie Rose - MATISSE PICASSO AT MOMA QNS - SPECIAL Kirk Varnedoe, Curator, "Matisse Picasso"; MoMA QNS; John Elderfield, Curator, "Matisse Picasso"; MoMA QNS / Chief Curator, Painting And Sculpture, MoMA |
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