![]() | Pulpos: suave inteligencia (Octopus intelligence) La inteligencia de los pulpos se somete a tres pruebas: plasticidad, versatilidad y flexibilidad. El estímulo es su presa favorita, el cangrejo. |
![]() | Octopus camouflage (better image/sound w/link). Click more for link to full video. Octopus in the process of camouflaging itself nearly perfectly. This clip is from a TED (Technology Entertainment Design) presentation by David Gallo showing the Octopus and other sea and deep sea creatures. The underwater video was shot by Roger Hanlon. Watch it full screen! Yeah, I know ... others have posted a similar video. I didn't do a search before I posted. (I won't do that again.) I got a clearer picture than most though, and the others don't have the comments by David Gallo, and the crowd's reaction to seeing it. You can see the whole video at: "http://www.ted.com/talks/view/id/206". For more info on Octopus Camouflage and intelligence check out is this video: http://www.youtube.com/watch?v=jN99Kx_ghC8 |
![]() | Octopus egg hatching. Octopus opening a jar. Octopus joubini egg hatching. Octopus vulgaris learning to open a jar to feed on crabs. |
![]() | PRESS TV: Iran makes three new weapons. Corner/Angled gun, 8 barrel anti-aircraft defense, police hunting rifle |
![]() | The Soft Intelligence - rocktOPUS Music video for "rocktOPUS". Recorded at Chris' and Kev's place. Ocean clips from BBC's Planet Earth. http://www.mypsace.com/TheSoftIntelligence |
![]() | Crossing Boundaries: a Postmodern Theatre Performance Devised, Designed and Directed by Filipino artist meLê yamomo, this multi-media production features the exchange artists of the 2006 ASEAN-Arts Council Korea Artist Fellowship. A postmodern production that uses the human body as text, Crossing Boundaries investigates the representation and construction of identities of Third -World-Southeast-Asian-artists in the global context. The production features Chenda Tith and Nam Narim of Cambodia, Rudy de Luna of Malysia, Thanapol Virulhakol of Thailand, Ernests Hojilla of the Philippines, Bernard Lee Ka Hong and Jermeiah Lee Kai Han of Singapore. The production was staged at the ARKO Experimental Theatre in Seoul City. |
![]() | Khafan Iranian hunters Khafan humters are testing a new gun with some targets. |
![]() | Dove hunting in iran hunt jeep Sahra |
![]() | Dostum pacha out for hunting Genral Abdul Rashid Dostum Orgeneral Abdülresit DOSTUM 1954'inci yilda Sibirgan / Suburgan kentinin Hoca Dükkü adlı ilçesinde yasayan bir Özbeg ailesinde doğmuş, en az yüzyıllardan beri sömürülmüş ve türlü baskılar altında kalmiş Afganistan Türkleri'nin bir ulusal (kahramani) olarak taninan kisidir. Hiçbir ordu lisesi yada yüksek okulda okumayan, ancak 80'inci yıllarda Sibirgan kentinde sadece bir isçi olarak çalisan DOSTUM, bu yılların siyasal ve toplumsal durumu yüzünden kendi is sahasını devlet karşıtlarının saldırısından korumasi için, ona verilen görevlerde kendinden gösterdiği nitelikleri üstünlükleri yüzünden Orgeneral rütbesine kadar yükselen bir subaydir. DOSTUM'u gerçekten tanımak istersek, onu yetistiren sartlarla onun bağlı olduğu budunu tanımamız gerekir. Ilk kez ondokuzuncu yüzyılda Ingilizler arkali Avganistan [=Afganistan, demek Afgan, Petan yada Pestun sözçügü ile anglamdas olan Avganlar yurtu] adı verilen topraklar, Türk varliği ile kentleşme ve uygarlıklarının ilk beşiklerinden biridir. |
![]() | 911 Octopus Future Combat System, Miniatures, PSYOP anime Deception techniques used on September 11, 2001 included modified simulation footage from FCS, heavily censored and scrubbed video, video montages, animated smoke and flames, and of course CGI plane inserts. Properly used, a faked photograph can be a more effective and subtle weapon than a forged document. In propaganda or intelligence work, it can lead an adversary to wrong conclusions or cause him to dissipate his energies. The fact is that the veracity of photographs is rarely questioned. Intelligence analysts are accustomed to being critical of documentary intelligence, and as a matter of course attempt to establish its veracity and the credibility of its sources. Unfortunately; no similar critical attitude is generally applied in the appraisal of photography. Indeed, most analysts would probably not consider themselves qualified to make technical judgments of this nature. No manual on faking photography is known to this author, and manuals that treat the art of altering or retouching photography are concerned almost exclusively with techniques for enhancing the artistic or purely technical values of photography, and not with detecting alteration of the original negative or other manipulations for purposes of deception. http://failed-state-terrorism.blogspot.com http://fight-terrorism.blogspot.com http://terrorism-policy.blogspot.com Thanks Ewing2001 and PollenB and Webfairy and JoeCraine and OzzybinOswald2 and theSaiGirl and DoubleK2000 and bsregistration and 911news! |
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