由英語專家劉家傑主持。以每日一分鐘的形式，為觀眾講解英語的習慣用法、字詞應用、發音規範等， 同時指出香港人對英語的各種錯誤觀念、常犯錯誤與陋習，並引申出學習英語時常見的問題 。

由英語專家劉家傑主持。以每日一分鐘的形式，為觀眾講解英語的習慣用法、字詞應用、發音規範等， 同時指出香港人對英語的各種錯誤觀念、常犯錯誤與陋習，並引申出學習英語時常見的問題。

由英語專家劉家傑主持。以每日一分鐘的形式，為觀眾講解英語的習慣用法、字詞應用、發音規範等， 同時指出香港人對英語的各種錯誤觀念、常犯錯誤與陋習，並引申出學習英語時常見的問題。

Lesson 4 - Callback and Colloquialism . www.myspace.com/rapmanual

由英語專家劉家傑主持。以每日一分鐘的形式，為觀眾講解英語的習慣用法、字詞應用、發音規範等， 同時指出香港人對英語的各種錯誤觀念、常犯錯誤與陋習，並引申出學習英語時常見的問題 。

由英語專家劉家傑主持。以每日一分鐘的形式，為觀眾講解英語的習慣用法、字詞應用、發音規範等， 同時指出香港人對英語的各種錯誤觀念、常犯錯誤與陋習，並引申出學習英語時常見的問題 。

由英語專家劉家傑主持。以每日一分鐘的形式，為觀眾講解英語的習慣用法、字詞應用、發音規範等， 同時指出香港人對英語的各種錯誤觀念、常犯錯誤與陋習，並引申出學習英語時常見的問題 。

由英語專家劉家傑主持。以每日一分鐘的形式，為觀眾講解英語的習慣用法、字詞應用、發音規範等， 同時指出香港人對英語的各種錯誤觀念、常犯錯誤與陋習，並引申出學習英語時常見的問題 。

One of the hip hop culture's messages is to keep your mouth shut when the police start asking questions. Rapper Cam'ron tells CNN's Anderson Cooper why he'll never snitch. (CBSNews.com)

"Stickwitu" (a colloquialism for 'stick with you') is the second single from The Pussycat Dolls' debut album, PCD. The ballad, expressing loyalty in a relationship, was a success in the US and it debuted at number one in the UK, making it their second consecutive number one single there. The single peaked at number two in Australian charts. The single entered the Billboard Hot 100 Singles Chart at 85, and nine weeks later was fifth in the chart, where it peaked. A commercial single of "Stickwitu" was never released in the US although commercial singles were imported from Australia, Europe and the United Kingdom. The majority of the commercial singles contained the LP version of "Stickwitu" along with the bonus track "Santa Baby" (with lead vocals performed by [[Jessica Sutta|Jessica]], Ashley and Carmit) and a remix featuring Avant. Club mixes of "Stickwitu" were created Dave Audé, Solar City, Richard Vission and the Groove Junkies, none of which were made official. This song gave the Dolls a Grammy Nomination at the 49th Annual Grammy Awards.

A Petey Green recording from his 1980s TV show, recorded from BET in Fort Worth, Texas. This is real, not a skit. Petey is The Man.

What does nice really mean, when describing a person? The title "Nice ain't so nice" is a bit of a colloquialism, I know :-)

This is another DVD extra of Phillippe Reypens' "L'Or des Anges". Note Terry Way among the boys. http://en.wikipedia.org/wiki/Brundibar Brundibár (Czech colloquialism for a bumblebee) is the name of a children's opera by Jewish Czech composer Hans Krása with a libretto by Adolf Hoffmeister and performed by the children of the concentration camp Theresienstadt in occupied Czechoslovakia. The plot of the opera shares elements with fairytales such as Hansel and Gretel and The Town Musicians of Bremen. Aninka (played by Greta Klingsberg) and Pepíček are fatherless sister and brother. Their mother is ill, and the doctor tells them she needs milk to recover. But they have no money. They decide to sing in the marketplace, to raise the needed money. But the evil organ grinder Brundibár chases them away. However, with the help of a dog, a cat and a lark, and the children of the town, they are able to chase Brundibar away in turn, and sing in the market square. A special performance of Brundibar was staged in 1944 for representatives of the Red Cross who came to inspect living conditions in the camp; what the Red Cross did not know at the time was that much of what they saw during their visit was a show, and that one of the reasons the Theresienstadt camp seemed comfortable, was that many of the residents had been deported to Auschwitz in order to reduce crowding during their visit. Most of the participants in the Theresienstadt production, including the composer Krása, were later exterminated in Auschwitz.

SILENT FILM EXCERPT: Here is a scene from Paul Robeson's first film, 'Body and Soul,' directed, written and produced by Oscar Micheaux in 1925. (Micheaux also wrote the novel on which it is based.) Robeson's girlfriend, played by Mercedes Gilbert, wants her mother's permission to marry him. Her mother, played by Julia Theresa Russell, is not impressed and wants to know if he is qualified to support her daughter. After Mom uses the demeaning, pejorative, colloquialism 'niggah,' her more modern daughter suggests, "Don't say 'Niggah,' Mother. It's vulgar."

The song, written by Jackson and Teddy Riley, is about keeping a relationship between secret lovers. It was also Jackson's effort to silence critics who questioned his sexuality. "In the Closet" is an English term which one uses when they are not open about a part of their life. They wish to keep it in the closet or be very guarded. As opposed to British colloquialism, contemporary American vernacular uses the term when one hides their private sex life, especially if it is homosexual. In an attempt to suppress the rumors, the video, directed by Herb Ritts, features Jackson performing sensual and physically complicated dance techniques with model Naomi Campbell. The song's female vocal was originally labeled "Mystery Girl" but was later revealed to be Princess Stéphanie of Monaco. Campbell sings the lyrics for the music video. The song, with its heavy industrial-sounding percussion and uptempo arrangement, is typical of producer Teddy Riley's new jack swing style. The unique, Eastern-influenced backing vocals, crescendoing middle eight imbue the song with an erotic edge usually missing from Jackson's music. His vocals are whispered and subdued for most of the song, embellished with gasps and shudders. It is generally considered one of his most provocative singles with lyrics that include "If its aching you have to rub it". Only in the chorus is his typically soulful falsetto given free rein. Collaboration with Madonna "In the Closet" was originally conceived of as a duet between Jackson and Madonna. According to a 1992 interview with British journalist Jonathan Ross, Madonna claimed she worked on some lyrical ideas for the song but when she presented them to Michael, he decided they were too provocative and she decided not to continue with the project. Remixes In keeping with the trend in the early 1990s, several remixes were commissioned by Jackson and released on a maxi CD. The most prolific of these remixes was "The Promise" remix by UK DJ Frankie Knuckles, which made its way into the club circu

David Fisher displays to the viewer how he wants to express himself, and then it is shown what actually happens. Brilliant directing in this scene. From S01E01. Six Feet Under is an American television drama created by Alan Ball that was originally broadcast from 2001 to 2005. It was produced by Alan Ball, Alan Poul, Robert Greenblatt and David Janollari. The series centers on a family-run mortuary, Fisher & Sons Funeral Home, and explores the lives of the Fisher family following the death of the family patriarch (the title being a colloquialism/euphemism for death, six feet being the traditional depth at which a body would be laid). The series is set in modern-day Los Angeles.

I have been accused of Jumping the Shark with my Mankini Milkshake. From Wikipedia: Jumping the shark is a colloquialism used by U.S. TV critics and fans to denote that point in a TV show or movie series' history where the plot veers off into ridiculous story lines or out-of-the-ordinary characterizations, undergoing too many changes to retain the original appeal of the series. Click here to read the full article http://en.wikipedia.org/wiki/Jumping_the_shark

"Stickwitu" is the second single from the Pussycat Dolls' debut album, PCD. The title is a colloquialism for "stick with you". The ballad, expressing loyalty in a relationship, was a success in the United States and it debuted at number one in the UK, making it their second consecutive number one single there. The single peaked at number two in Australian charts. The single entered the Billboard Hot 100 Singles Chart at 85, and nine weeks later was number five in the chart, where it peaked. A commercial single of "Stickwitu" was never released in the U.S., although commercial singles were imported from Australia, Europe and the United Kingdom. The majority of the commercial singles contained the LP version of "Stickwitu" along with the bonus track "Santa Baby" (with lead vocals performed by Jessica Sutta, Ashley Roberts, and Carmit Bachar) and a remix featuring Avant. Club mixes of "Stickwitu" were created by Dave Audé, Solar City, Richard Vission, and the Groove Junkies, none of which were made official. This song gave the Dolls a Grammy nomination at the 49th Annual Grammy Awards. The song appears on the game Karaoke Revolution Presents: American Idol. The video, directed by Nigel Dick, begins with the group at a hotel being awoken by someone knocking on the door. The Pussycat Dolls begin to pack their belongings, then walk to their tour bus, stopping to sign autographs for fans on the way. The video continues to show footage of the girls on the bus, in dance rehearsals and practicing the song "Stickwitu". The video ends with group coming out of a back entrance of a building posing for some pictures. Throughout the video, the members of PCD, and in particular Nicole Scherzinger, are seen talking on Nokia mobile phones, presumably to their partners.

Nate stammers attempting to order a burger and the results are pure hilarity! From S02E04. Six Feet Under is an American television drama created by Alan Ball that was originally broadcast from 2001 to 2005. It was produced by Alan Ball, Alan Poul, Robert Greenblatt and David Janollari. The series centers on a family-run mortuary, Fisher & Sons Funeral Home, and explores the lives of the Fisher family following the death of the family patriarch (the title being a colloquialism/euphemism for death, six feet being the traditional depth at which a body would be laid). The series is set in modern-day Los Angeles.

Why "fully sick" is good and a cobber is a friend. Learn a word or two from the True blues!

This experimental film is inspired by words, namely colloquialism and informal expressions combined with objects found in the supermarket that address the meaning of 'crazy'. It aims to show my way of seeing the absurdity of slang words and phrases in the form of literal depictions of images and texts used as a narrative tool. Starring my elder sister, Quinadia.

Insomnia is driving me mad. I'm just being Moi through a rough transition. Sure, all of life is a rough transition between one goddamn thing and another. We strive to grow wiser as age nips at our asses. I will sleep so well tonight . . . maybe . . . When all else fails, revert to what you know and do it well.

A semantics spoof type parody of the archaic colloquialism of a bear in the woods and what that bear does when the Pope is not looking as seen from a post industrial subcult emo perspective of societal norms expressed through experimental video.

Kevin Rudd addresses his colleagues, the Friends of the Communists in Mandarin

Where should I start Disjointed heart I've got no commitment To my own flesh and blood Left all alone Far from my home No one to hear me, to heal my ill heart, I Keep it locked up inside Cannot express To the point I've regressed If anger's a gift, then I guess I've been blessed, I Keep it locked up inside Keep my distance from your lies It's too late to love me now You helped me to show me It's too late to love me now You don't even know me Breaking a part of my heart to find release Taking you out of my blood to bring me peace Breaking a part of my heart to find release Taking you out of my blood to bring me peace Breaking a part of my heart to find release (Break) Taking you out of my blood to bring me peace (Me) Breaking a part of my heart to find release (Too) Taking you out of my blood to bring me peace Keep it locked up inside Keep my distance from your lies Breaking a part of my heart to find release (Break) Taking you out of my blood to bring me peace (Me) Breaking a part of my heart to find release (Too) Taking you out of my blood to bring me peace Breaking a part of my heart to find release Taking you out of my blood to bring me peace Breaking a part of my heart to find release Taking you out of my blood to bring me peace Keep my distance Keep my distance Keep my distance Keep my distance [music slows to rap solo...] Spit drips from the jaw of the witless witness Cryptic colloquialism shifts your midrift Dark all I do embark the shadows Involved with my thought catalog, analogue, rap catalog Keep my distance, and fear resistance, hurt by persistence The twisted web of tangled lies Strangles my hope to waste and numbs the taste And I'm forced to face these hate crimes Against the state of being Feeling the weight-less-ness pressed between the ceiling Reeling around room Riding a bubble of sound proof It's the frequency making you Sha-Shake with every boom Involuntary muscle contraction Ignoring and drinking musical gas fueled euphoria The sound pounds to make the dead flush To have you a head rush with red thoughts and said stuff