MArele regizor dezvaluie cum a fost facut filmul Cu mainile curate

CU MAINILE CURATE (1972) Sergiu Nicolaescu Ilarion Ciobanu Alexandru Dobrescu

A brief snippet from the forthecoming DVD of Keane's fundraising gig in Brixton. Featuring exclusive performances from Lilly Allen, The Guillemots, Pet Shop Boys and The Magic Numbers.

rock romanesc

Tiradera pa albert pt.2

muzica crestina

tare !

Ilarion Ciobanu - "Am si eu sensibilitatile mele"

From the DVD "Curate A Night For War Child"

Episcopal Priest, Matthew Moretz, presents a piece on the meaning of the sacrament of Holy Matrimony, with a little help from two friends, who are in pre-marital counseling with him in order to prepare for their marriage. This is part of the series "Father Matthew Presents the Sacraments" which has just finished! "Father Matthew Presents" as a two year long project is a series on Episcopal Church life and teaching produced by the Curate at Christ's Church in Rye, New York.

nu pot sa inteleg ce e cu tine visezi vise de azi sau vise de maine printre sperante legate de maini la spate singurul care viseaza vise curate... vise curate

Episcopal Priest, Matthew Moretz, presents a piece on the meaning of the sacrament of Holy Eucharist, with a little help from two friends. This is part of the series "Father Matthew Presents the Sacraments" which is almost finished! "Father Matthew Presents" as a whole is a series on Episcopal Church life and teaching produced by the Curate at Christ's Church in Rye, New York.

The Human Variome Project is the global initiative to collect and curate all human genetic variation affecting human health

Sam Abell talks about his latest book, THE LIFE OF A PHOTOGRAPH and re-shelves it at eye level.

Rose Cousins and Rose Polenzani fail miserably at covering this sweet magnetic fields song and then we curate the greatest saddest moments.

In occasione dei Festeggiamenti in onore dei Ss.Cosma e Damiano le piccole majorette curate da Totò Palazzolo sfilano per le vie della Borgata accompagnate dalla Banda musicale "Associazione Catanzaro" (Domenica 21 Settembre 2008)

keane and lilly allen live at brixton academy. keane curate for warchild

Episcopal priest, Matthew Moretz, Curate at Christ's Church (Episcopal) in Rye, NY, roots through his church's archives. He finds a surprising cache of photos from the days when services were nationally broadcast on NBC. This video is part of the "Father Matthew Presents" series, which continues on a semi-regular basis.

Etcetera... Curate by Clarie Fontaine Galerie Frank Elbaz Paris France 2008 Etcetera...is something that doesn't have to be defined Something that comes next and it's not determined, it's the other name of the future. Etcetera...from the Latin word "et , that means "and"; and "cetera/ceterum", "else". The word used to interrupt the discourse suggesting the omission of what should be told. It's represented by abbreviation etc. Etcetera...is the word that breaks the linguistic system. Etcetera...ends and starts the speech. Etcetera...exists in all languages, that's why it is an ally all over the world. Etcetera...is this present moment and its members cannot be counted. Etcetera...is singular and plural, female and male. Etcetera...may be added, subtracted, divided and multiplied. In late 1997, some artists in their twenties started to experience a collective desire to form a group and to be part of a movement that could interact with different social contexts. The action of bringing art into the public space of protest, was as important for them as the one of displacing the same social conflict into other contexts whose political content was obliterated by the heavy industries of culture and their massive event machines. Etcétera... was born as a response to a specific political moment. It raised from an unconscious need to forge a generational identity as a reaction against the colonization of culture by the rules of neo-liberal market all along the 90's. Two experiences deeply marked its identity: in the winter of 1998 an abandoned house was occupied by the collective. This building happened to be the old printing workshop of the surrealist artist Juan Andralis (1924-1994) who during the '50 had been part of Andre Breton's group in Paris and once back in Buenos Aires created this workshop along with a publishing house. This building situated in the neighborhood of Abasto was transformed into an art laboratory, an auditorium and a library, in order to make experiences of des-education and autonomy possible and shared. After the encounter with the surrealist archives, the group made the practice of self-teaching, and the investigation of the connections between art and life, the core of its research and experimentation. The other experience that marked Etcétera... was the participation with the group H.I.J.O.S (Children for Identity and Justice against Forgetting and Silence) to the organization of the Escraches. These practices consist in visiting regularly the habitation of the unpunished torturers of the dictatorship and attracting the attention of the neighbors and the passers-by through performances and symbolic actions. In this theatrical and political space the struggle for justice and memory opened up an occasion for hybridization and elaboration of social changes. Neighbors, students, artists and political organizations could exchange about their different strategies and their respective imaginary on a communal ground of action. This experience turned into a precious laboratory revolving around the new forms of militancy. After ten years of work and struggle Etcétera... keeps acknowledging the same inequalities masked by a growing political confusion. The work and its uncomfortable position appear to be more necessary than ever. Blurring the borders between sculpture and performance, between art and political action, between poetry and realism, Etcétera liberates a space to question our habits, our categories of judgment and their consequences on the social level. The construction of their psycho-geopolical map of the present will touch Paris forty years after Mai '68, for no commemoration or nostalgic gesture, but to claim that any space of freedom has to be activated and questioned, today as much as yesterday, in Paris as much as in Buenos Aires.

Anthony Kiedis explains how he was chosen to curate this brand new music festival.

In December 2006 Citylights was commissioned by Foxtel to curate and coordinate a new art tram to celebrate the return of the St Kilda Festival. Over three days in mid January 2007, six artists collaborated on this massive artwork, painting onto large panels of vinyl sticker medium that were then applied to the tram. Citylights selected a mixture of emerging and established Melbourne street artists - Phibs, Deb Nails, and HaHa, complimented by visiting Swiss duo Pascale Mira Tschäni & Michael Husmann Tschäni. The resulting collaborative artwork was mounted top-to-bottom on the No.16 Tram, Kew/Cotham Road to Melbourne Uni via St Kilda, St Kilda Road and Swanston Street. Want more? http://citylights-projects.blogspot.com/

Sentimente

this is warren ellis from the amazing dirty three, who curate the last ATP festival. this is him introducing the song "alice wading", his usual bantering intro covers The Band, Touring and Alice Coltrane

Un Video Pa Que Mires Como Seva Moviendo Esta Baina Curate Tu Mismo

NUMAI CU O INIMA CURATA SI NUMAI CU BUZELE CURATE POT LAUDA CU ADEVARAT PE DUMNEZEU