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"SCRAPE OFF-FILM" In the urban transportation system, transit and shipping are human acts of giving chase, and the scrape off the image can question these acts through exaggerated impersonalizing, materialization, and dissimilation. "去人像" 運輸的是人類的追逐行為，邁向更誇張的去人性化及物化、異化的可能，去除成為一種反向 的提問。

A cacophonous experiment initiated by Paul Tames van den Berg. In co-operation with André Klein, Jorinde & Sina. Studium Generale Gerrit Rietveld Academie October 2008 Amsterdam Cacophony: A harsh, discordant mixture of sounds: a cacophony of deafening alarm bells | figurative a cacophony of architectural styles songs of unrelieved cacophony. Phonaesthetics is the claim or study of inherent pleasantness or beauty (euphony) or unpleasantness (cacophony) of the sound of certain linguistic utterances. Poetry is often considered euphonic, as is well-crafted literary prose. Important phonaesthetic devices of poetry are rhyme, assonance and alliteration. Closely related to euphony and cacophony is the concept of consonance and dissonance. The phrase cellar door has some notoriety as the reputedly most euphonic sound combination of the English language (specifically, when spoken with a British accent). From this meaning should be distinguished the closely related but different concept of phonaesthesia, which does not refer directly to aesthetic attributes of sound, but to phonetic elements that are inherently associated with a semantic meaning. The term was introduced by J. R. Firth in 1930 "The phonæsthetic habits [...] and are of general importance in speech." Firth defined a phonaestheme as "a phoneme or cluster of phonemes shared by a group of words which also have in common some element of meaning or function, though the words may be etymologically unrelated." [edit]Sub-phonematic euphony In most languages, difficult to pronounce phonetic combinations will be adapted to allow more flowing speech, for reasons of ease of pronunciation rather than aesthetics. These adaptations will be sub-phonematic at first, but over several generations will lead to phonematically relevant sound changes sandhi ("euphonic" rules in Sanskrit grammar) vowel harmony assimilation (linguistics) dissimilation elision epenthesis affection (linguistics) i-mutation cellar door English and Welsh inherently funny word phonosemantics onomatopoeia Japanese sound symbolism glossolalia symphony harmony Vilayanur S. Ramachandran References: Ross Smith, Inside Language - Linguistic and Aesthetic Theory in Tolkien, Walking Tree Publishers See also: http://www.sinakhani.com

"SCRAPE OFF-Installation" In the urban transportation system, transit and shipping are human acts of giving chase, and the scrape off the image can question these acts through exaggerated impersonalizing, materialization, and dissimilation. "去人像" 運輸的是人類的追逐行為，邁向更誇張的去人性化及物化、異化的可能，去除成為一種反向 的提問。

"SCRAPE OFF" In the urban transportation system, transit and shipping are human acts of giving chase, and the scrape off the image can question these acts through exaggerated impersonalizing, materialization, and dissimilation. "去人像" 運輸的是人類的追逐行為，邁向更誇張的去人性化及物化、異化的可能，去除成為一種反向的提問。

ver 5.2 / concious of dissimilation images . music by r.s.

For more trance clips and music go to http://www.trancesets.org * 1991 Spirit of Adventure (as Spirit of Adventure) * 1992 Illustrator E.P. (as The Tellurians) * 1992 Sssshhhht EP (as Zenithal) * 1992 Zen (as Mind To Mind) * 1993 Schollevaar Feelings (as S.O.A) * 1994 Skip Da Dipp (as Free Inside) * 1994 Underground (as Free Inside) * 1995 Dancing Sparks (as A Jolly Good Fellow) * 1994 Your Gun (as Scum) * 1994 Intruders EP(as Sons of Aiens) * 1994 Welcome To Dew. Lokh(as Sons of Aiens) * 1995 In Love EP(as Sons of Aiens) * 1995 Doodlebug (as Exiter) * 1995 Eyes In The Sky (as Exiter) * 1995 Never Felt (This Way) (as Free Inside) * 1995 Trezpazz (as Exiter) * 1995 Joy Factory (as Alter Native) * 1996 I Feel Good (as Alter Native) * 1996 Cyberia (as Bypass) * 1996 Docking (as Riptide) * 1996 Don't Be Afraid (as Moonman) - #60 UK * 1996 Galaxia (as Moonman) - #50 UK (2000 release) * 1996 Gimme Your Love (as The Nutter) * 1996 Intentions (as Skywalker) * 1996 Keep It Going (as A Jolly Good Fellow) * 1996 Killer Beats (as A Jolly Good Fellow) * 1996 Legend (as Ferr) * 1996 Locked On Target (as The Nutter) * 1996 Lunalife (as Lunalife) * 1996 Macarony (as Skywalker) * 1996 Marsfire (as Moonman) * 1996 Midnight Moods (as Ferr) * 1996 Mindfuck (as The Nutter) * 1996 Moony (as Riptide) * 1996 My Bass (as A Jolly Good Fellow) * 1996 NightTime Experience (as Ferr) * 1996 Seed (as Skywalker) * 1996 Supernatural (as Lunalife) * 1996 The Rising Sun (as Raya Shaku) * 1996 This Record Is Being Played In Clubs, Discolounges, House- Basement- Or Blockparties (as Party Cruiser) * 1996 Master Blaster Party (as Blade Racer) * 1996 The Show (as Discodroids) * 1996 What Would You Like Me To Do (as Fernick) * 1996 The Navigator (as The Tellurians) * 1996 Nightflight (as The Tellurians) * 1996 Alasca (as Zenithal) * 1997 Music Is My Life(as Mind To Mind) * 1997 Love Entry (as Penetrator) * 1997 Outthere (as Roef) * 1997 I'm In Love #26 (as Starparty) * 1997 Interspace (as Discodroids) * 1997 Straight Kickin (as Energiya) * 1997 Tomba Dance (as Energiya) * 1997 Another World (as Pulp Victim) * 1997 Carpe Diem (as Kinky Toys) * 1997 The Warning (as Alter Native) * 1997 Click (as Riptide) * 1997 Cry For Your Love (as Bypass) * 1997 Dissimilation (as Kinky Toys) * 1997 Dope (as Riptide) * 1997 Dreams Last For Long (as Pulp Victim) * 1997 Dreamscape (as Ferr) * 1997 First Light (as Moonman) * 1997 Going Back (as Riptide) * 1997 Hide & Seek (as Firmly Underground) * 1997 Hit 'M Hard (as Kinky Toys) * 1997 I'm Losing Control (as Pulp Victim) * 1997 Iquana (as Exiter) * 1997 Mind Over Matter (as Pulp Victim) * 1997 Mozaiks (as Firmly Underground) * 1997 Reach For The Sky (as Albion) * 1997 Salamander (as Exiter) * 1997 Somewhere Out There (Aliens Are Lurking) (as Kinky Toys) * 1997 Stardust (as Ferr)